All the Right Moves: Anti NWO Patriot’s Favorite online Mag Goes Mobile


The app of the month is taking Rochester’s NY  ANTI NEW WORLD ORDER PARTY Magazine readers by storm—and we’re not talking about cyclones. The lifestyle publication, which has the skinny on just about everything in town, has long-since been a staple among Roc locals.

anwoppicMobile

And as a good number of these locals have gone mobile, the magazine is paying it forward with its recently-launched Conduit Mobile-powered Anti New World Order Party Mag App, a dynamic, interactive information hub that does the lively metropolis proud.

The  Anti New World Order Party Mag App takes home the gold in every category. It’s well managed, it has seamless functionality, and most importantly, it’s got great content that lets users stay informed, stay connected, and stay local. A versatile news feed chronicles everything from breaking news to ROC’s legendary Annual Halloween party. Music lovers are entertained by an eclectic collection of streaming tunes highlighting the city’s unique music culture and local artists. A comprehensive Event Listings feature is perfect for both locals and tourists in search of a perfect destination, be it the latest after-hours hotpots or a cultural landmark. And the Nightlife Photos link gives a community feel with snapshots of users’ nocturnal adventures on the town. What can we say? Big congrats go out to  ANTI NEW WORLD ORDER PARTY Magazine for some moves well played and a wholly engaging, exceptional app.

As to the hows, whys, and whats of publishing a mobile app?  ANTI NEW WORLD ORDER PARTY Magazine founder, Daniel Leach, explains.

First and foremost, how has going mobile helped your business?
“The mobile platform has simplified the logistics of content delivery. Going mobile has also made the publication more accessible to a larger number of readers. I’ve learned that access equates to growth. Because of our mobile app development, we have witnessed tremendous growth in our readership, downloads, and impressions.” Mission accomplished.

Why did you decide to make an app, and why did you choose the Conduit Mobile platform?
“I wanted to design an app that delivered localized content that my magazine readers would enjoy. I utilized the Conduit Mobile platform because it offered me maximum control without enduring the learning curve of brushing up on new code. The deployment and analytic s options were very alluring as well. After spending ample time engaging and learning the nuances of the Conduit Mobile dashboard, I decided to dive head first into the creation of my first app,  Anti New World Order Party Mag.” And what a splash he’s made…

Your favorite in-app feature?
“I would have to say that the page that I favor the most in the  Anti New World Order Party Mag app would have to be the home page. Ultimately, it’s an interactive news feed with countless possibilities. I often utilize this real estate for late breaking news updates, highlighting local musicians, notifying my users of special events in the area, and bringing awareness of the vast amount of locally owned business promotions in the area. I believe the news page rounds out the app. It’s not only the greeting page—it also connects and accentuates the diversity of the additional app pages.”

What about user feedback?
“I have received immense feedback in regard to the app. There have been accolades, and there have been suggestions for improvement. I believe improvement is a continuous endeavor, so I welcome all forms of feedback.” A humble, no-nonsense approach that has no doubt contributed to the man’s success.

Any particularly popular features?
“A large majority of my app users enjoy the news feed and embedded music player.”

And how has your app boosted the magazine’s presence in the mobile world?
“Mobile applications provide a dynamic level of dexterity for the creator and availability to the end user. With the  Anti New World Order Party Mag app I am able to deliver new and exciting content to the readers of the  Anti New World Order Party Magazine publication.  I believe that experiencing  Anti New World Order PartyMag on this level is organic and natural for the readers.” Well said, and it couldn’t be truer.

Admit it—you want one too. The good news is, you can have it, and creating that award-winning app is much easier than you think. Let the spirit  Anti New World Order Party you, and get started with Conduit Mobile today.

Click to go to our Moblie app. http://AntiilluminatiParty.com.mobapp.at

Users accessing our regular website via their mobile device will be redirected to our mobile site, or will be prompted to download our app from the relevant marketplaces. To redirect mobile users, simply to redirect mobile users to our mobile site Advanced http://AntiilluminatiParty.com.mobapp.at

All About The Movie Prometheus The Good, The Bad, The Ugly!

So you may be thinking what does the Movie Prometheus have to do with the New World Order?  we will reveal the agenda behind Prometheus, the new film by legendary director Ridley Scott (Alien, Blade Runner, Gladiator) hitting theaters June 8.

This film is a Parallel Story of the deep dark secrets of the Illuminati’s ancient occultism  religious faith  and theological views or ideals!  These idea’s have been developed by the ruling elite family’s who believe that they have been chosen by a off world super race with higher intelligence, to rule the world.  They believe that this off world intelligence has directed them to control mans DNA and future.  The elite believe they are the Earths gods and are destined for the stars. They think its a divine right bestowed on them by a higher intelligence that gives them credence to their meddling with the affairs of common man.  The Illuminati want to merge man with Machine so that they can live forever and be like gods!  The Bad news is that if you do not belong to the family you will not be invited to live forever but will be exterminated like bugs by those who will be chosen to get the life extenuation technologies!

You see the Illuminati choose to follow a plan to control world population by mass sterilization using soft kill weapons to depopulate the world with poisons through GMO Food, Vaccination, and other technological advances.  The Idea of creating the master race did not die with Adolf Hitler its still alive and well!  Its now called transhumanist  The Global Future 2045 International Congress, led by iconic futurist Ray Kurzweil and held in Moscow a few months back, lays out a stark vision of the future for neo-humanity where AI, cybernetics, nanotech and other emerging technologies replace mankind– an openly transhumanist vision now being steered by the elite, but which emerged out of the Darwinian-circles directed by the likes of T.H. Huxley and his grandchildren Julian, who coined the term Transhumanism, and Aldous Huxley, author of Brave New World. Resistance to this rapid shift in society, the 2045 conference argues, is nothing short of a return to the middle ages.

United Nations Envisions Transhumanist Future Where Man is Obsolete

 Prometheus was a Nephilim from a different time period.

The Prometheus Film is basically shinning a light on the (presumably fallen angels) Nummo or Nephilim. These giants were noted for their strength and warlike abilities. The Greeks called them TITANS while the Bible called them NephilimPrometheus. According to the Sumerians the Nephalim were like Gods to them, large humanid beings. Seems similar to the Space Jockey concepts. Also according to prophecies, the Annunaki along with the Nephilim will return in 2012 to Earth, to their children they created.

The NEPHILIM offspring four different races;
THE ANNAKIM (they would weigh chains until earth’s core could not support them.)
THE REPHAIM (Your heart will melt in their presence)
THE ZAMZOUMIM (Achievers, Their necks would obscure the sun.)
THE EMMIM (Terrifying ones)
THE GIBBORIM (The strong ones, the giants, the ancient heroes)

 The NEPHILIM introduced zoophilia on earth; and broke down the natural order of things.
“The viper would mingle with the lion, and the vulture with the dog, and man with nephilim, nephilim with animals etc…..They also drank each other blood .


Some accounts have been written about the NEPHILIM, for instance a midrash of genesis Rabbah says that on a wedding night ,a nephilim would appear in front of the newly wed, possess the man than kill him ,than he would possess(sexually) the bride, kill her too, drink their blood and vanish.
Other sources states that they would feed on live camels and horses.


A Talmudic scholar asks: “How can a angel, which is pure white fire penetrate a woman without burning her from the inside? His master answered: They took human shape that’s how they were able to copulate. In fact it was those bodies who entrapped them so that they couldn’t resist earthly desires.

The Nummo. The Dogon talked about alien beings known as Nummo who came to Earth from another star system. These fish and serpent like beings were hermaphrodites who spent more time in water than on land. Shannon presents examples of how these amphibious aliens appeared all over the ancient world and makes connection with mitochondrial Eve, Mary Magdalene, Masonic symbolism and more. She reveals how the Dogon religion is the core religion from which other religions including Judaism and Christianity have evolved. We’ll discuss the Nummo’s voyage to Earth, their knowledge of genetic engineering, Dogon mythologyand their intention with humanity.

Nommo is a better spelling, “Nummo” comes from D.Icke, as he attempts to steal the story and retell it to provide his own brand of “evidence”…

And the original story is spectacular, however, There is at least one article out there with good looking references… (if they are or not..)

Seems the original French anthropological expedition may have faked the “findings” (why???… for the money, naturally) and some 50 years later, another French expedition tried to check the story (things move slowly in the world of cultural archeology)

Look up /Dog gone shame.html

lol http://www.philipcoppens.com/dogonshame.html

Unfortunately apparently these people’s findings only come to light some 30 years after publishing, and so MANY books and essential theories are proposed using original Dogon and Sumerian mythologies as a basis. (all those links about Sirius are no longer Serious)

Leave it to the French to place a blemish on the entire field of anthropology/archeology/and well…. trying to accurately dig up the past, in general.

Thanks to DrPostman for bringing this to my attention several months ago.

There is still something from the Bible that has to do with this idea of Prometheus

This section copied from http://www.pantheon.org/articles/n/nephilim.html

Genesis 6:4 states “The Nephilim were on the earth in those days –and also afterwards– when the sons of God went to the daughters of men and had children by them. They were the heroes of old, men of renown.” The Nephilim were a race of giants that were produced by the sexual union of the sons of God (presumably fallen angels) and the daughters of men. Translated from the Hebrew texts, “Nephilim” means “fallen ones.” They were renowned for their strength, prowess, and a great capacity for sinfulness.

The origination of the Nephilim begins with a story of the fallen angels. Shemhazai, an angel of high rank, led a sect of angels in a descent to earth to instruct humans in righteousness. The tutelage went on for a few centuries, but soon the angels pined for the human females. After lusting, the fallen angels instructed the women in magic and conjuring, mated with them, and produced hybrid offspring: the Nephilim.

The Nephilim were gigantic in stature. Their strength was prodigious and their appetites immense. Upon devouring all of humankind’s resources, they began to consume humans themselves. The Nephilim attacked and oppressed humans and were the cause of massive destruction on the earth.

Two texts of central import to the story of the Nephilim, the Bible and the Dead Sea Scrolls, mention several names for the Nephilim. The diverse kinds of these giants are cited in several passages. They are variously referred to as Emim, or “Terrors” (Gen. 14:5; Deut. 2:10), Rephaim, or “Weakeners” or “Dead Ones” (2 Sam. 23:13; 1 Chron. 11:15), Gibborim, or “Giant Heroes” (Job 16:4), Zamzummim, or “Achievers” (Deut. 2:10), Anakim, or “Long-necked” (Deut. 2:10; Josh. 11:22, 14:15), and Awwim or “Devastators” and “Serpents.” Other giants are mentioned in these texts as well, such as Goliath (2 Sam. 21:19), a giant with twelve fingers and twelve toes who is mentioned as one of the Rephaim (2 Sam. 21:20), and a tall Egyptian (1 Chron. 11:23). The passage of Numbers 13:26-33 recounts the Nephilim of Canaan that Joshua and the other Hebrew spies saw. Furthermore, according to Judaic lore, a certain one of the Nephilim, Arba, built a city, Kiriath Arba, which was named for its builder and is now known as Hebron.

The wickedness of the Nephilim carried with it a heavy toll. Genesis 6:5 alludes to the corruption that the Nephilim had caused amongst humans and themselves: “The Lord saw how great man’s wickedness on the earth had become…” Their evil rebellion had incurred both the wrath and grief of God. God instructed the angel Gabriel to ignite a civil war among the Nephilim. He also chose Enoch, a righteous man, to inform the fallen angels of the judgment pronounced on them and their children. God did not allow the fallen angels any peace, for they could not lift their eyes to heaven and were later to be chained. The end of the Nephilim came about in the war incited by Gabriel, in which the giants eventually annihilated each other.

“Nephilim” is rendered fallen, or possibly feller: a tyrant or bully. Several English translations, such as the King James Version rendered the word “giants”. In the Greek Septuagint the word “nephilim” was also translated as “gigantes” (gigantic). This translation is undoubtedly used because the Nephilim later became known as giants to the ancient Hebrews, as illustrated by the manner in which they were referenced when the Israelite spies were sent intoCanaan (Numbers 13:33 ).[1]

This section Copied from: http://www.nwcreation.net/nephilim.html#Apocryphal_references

The Sons of God

Main Article: Sons of God

It is unclear what the Sons of God were, but they are distinguished from the daughters of men. The most obvious interpretation is that the Nephilim were a hybrid race between two distinct beings. There are at least three schools of thought regarding the Sons of God.

The older view, held nearly unanimously by ancient writers prior to Augustine of Hippo, is that the Nephilim were a hybrid race between certain fallen angels, called the Benei Ha’Elohim (“Sons of God”) or The Watchers in extra-Biblical traditions, and human women. While there has always been a minority of churchmen who followed this view, it has been promoted recently by popular writers such as Stephen Quayle [2].

In The Genesis RecordHenry Morris states:

The only obvious and natural meaning without such clarification is that these beings were sons of God, rather than of men, because they had been created, not born. Such a description, of course, would apply only to Adam (Luke 3:38) and to the angels, whom God had directly created (Psalm 148:2, 5; Psalm 104:4; Colossians 1:16). The actual phrase bene elohim is used three other times, all in the very ancient book of Job (1:6; 2:1; 38:7). There is no doubt at all that, in these passages, the meaning applies exclusively to the angels. A very similar form (bar elohim) is used in Daniel 3:25, and also refers either to an angel or to a theophany. The term “sons of the mighty” (bene elim) is used in Psalm 29:1 and also Psalm 89:6, and again refers to angels. Thus, there seems no reasonable doubt that, in so far as the language itself is concerned, the intent of the writer was to convey the thought of angels – fallen angels, no doubt, since they were acting in opposition to God’s will.[3]

The more recent view which has been the majority position in the church since St. Augustine in the fourth century is that the Sons of God refers to the god-fearing line of Seth; and the daughters of men refers to the daughters of the unbelieving line of Cain. Variations on this theme include the idea, proposed by Meredith Kline, that the Sons of God were kings or priests who took any woman they chose to be their wife.

Still others hold that the Sons of God were other created men. It is argued that the Bible does not describe every person that was created, but only key individuals or situations are included within the text. Those holding to this position call into question the origin of Cain’s wife or those whom he feared would kill him Genesis 4:14-17 . However, this view falls into conflict with Genesis, which states that Eve is the mother of all the living.

After the Flood

In Genesis 6 , where the global flood is described, it states that the Nephilim were also on the Earth afterward. Many therefore, assume that many of the descriptions of giants in the Bible are references to Nephilim bloodlines. However, the only specific mention of Nephilim on the earth after the flood is part of the bad report from the spies in Numbers 13:33 , a report that is called “bad” (or “evil”) as in an unreliable source.

In The Genesis RecordHenry Morris summarizes:

There were giants “also after that,” in the days of the Canaanites, and these were likewise known as, among other things, the Nephilim (Numbers 13:33). Humanly speaking, they were descended from Anak, and so were also known as the Anakim. These people were, of course, known to Moses and it was probably he who editorially inserted the phrase “and also after that” into Noah’s original record here in Genesis 6:4. Moses probably also inserted the information that these were the “mighty men of old, men of renown,” men whose exploits of strength and violence had made them famous in song and fable in all nations in the ages following the Flood. To rebellious men of later times, they were revered as great heroes; but in God’s sight they were merely ungodly men of violence and evil.[4]

Several tribes are encountered in the campaign of the Five Kings in Abraham’s day that some argue might be Nephilim or hybrids of Nephilim. They are described as having become several tribes occupying the lands around the Valley of Siddim (Dead Sea) and evidently intermixed with the Canaanites.

Genesis 14 and Deuteronomy 2 name these tribes as the Rephaim (“titans”, children of “Rapha”), Zuzim or Zamzummim (“terrible ones”), Emim, Horites, and Anakim (“crushing tyrants”). The tribe of the Anakim are directly connected with the Nephilim in the false report of the spies described in (Numbers 13:33 ). The context of the passages suggest that the other tribes of giants were relatives of the Anakim or other lines of Nephilim, particularly the Rephaim whose giant descendant is described as living in Gath along with the Anakim Goliath and Lahmi (see below). The Rephaim are giants (in fact these peoples are generally described as being tall or large) and seem to have been thus matched with the Nephilim based on the English rendering of “giants” in Genesis 6.

The tribe of the Anakim were descended from a giant named Anak, who was a son or grandson of a giant named “Arba”, from which the ancient city of Hebron was originally called “Kiriath Arba” or “The City of Arba” because “Arba was the greatest man among the Anakim”[5]. This tribe was so tall, that the weak-kneed spies reported, “we are like grasshoppers to them.”

Scripture describes how the tribes of giants were fought and destroyed by the tribes of normal men who replaced them, including the Israelites. Moses killed Og, king of the Rehpaim who lived on the Golan heights near Mt. Hermon. Og had a bed nine cubits long (13.5 to 15.5 feet, depending on which cubit was used) and was called “last of the remnant of the giants”[6]. Og may be the source of the word “ogre” in the English language.

Joshua drove the three remaining sons of Anak out of Hebron in his first campaignm. They evidently reoccupied the city of Hebron while Joshua was waging his campaign against Canaanite cities in the North. Caleb later retook Hebron and killed the three giants[7].

Later David and Saul fought a remnant of smaller giants who had taken refuge in the Philistine city of Gath. They included Goliath, who was about nine feet tall, and his brother Lahmi “whose spear had a shaft like a weaver’s rod”. The last of the Gittite giants was slain, “In still another battle, which took place at Gath, there was a huge man with six fingers on each hand and six toes on each foot—twenty-four in all. He also was descended from Rapha”[8].

The last Scriptural reference to the giants may be Isaiah 45:14 , which prophecies that Sabean “men of stature” will become slaves in chains of the redeemed Israelites.

The characteristics of these tribes described in Scripture:

  • Their height was two or three times the height of normal men.
  • They were associated with some kind of unholy intermixing before the Flood.
  • They were closely associated with the wicked Canaanites after the Flood.
  • In one case they are described as having polydactyly (extra fingers and toes).
  • Unlike the Canaanites, there are no examples of Nephilim who became followers of God.

Apocryphal references

The Nephilim are described in great detail in the Book of Jubilees and Book of Enoch. Both of these books have been traditionally rejected as apocryphal by the European Church. However, they were both considered canonical by the Ethiopic Church from the time of Christ until today, and the Book of Enoch was quoted in the Biblical Epistle of Jude.

Jubilees has the following to say about the sons of God and the Nephilim:

“And in the second week of the tenth jubilee [449-55 A.M.] Mahalalel took unto him to wife Dinah, the daughter of Barakiel the daughter of his father’s brother, and she bare him a son in the third week in the sixth year, [461 A.M.] and he called his name Jared, for in his days the angels of the Lord descended on the earth, those who are named the Watchers, that they should instruct the children of men, and that they should do judgment and uprightness on the earth.” – Jubilees 4:15
“And it came to pass when the children of men began to multiply on the face of the earth and daughters were born unto them, that the angels of God saw them on a certain year of this jubilee, that they were beautiful to look upon; and they took themselves wives of all whom they chose, and they bare unto them sons and they were giants. And lawlessness increased on the earth and all flesh corrupted its way, alike men and cattle and beasts and birds and everything that walks on the earth -all of them corrupted their ways and their orders, and they began to devour each other, and lawlessness increased on the earth and every imagination of the thoughts of all men (was) thus evil continually. And God looked upon the earth, and behold it was corrupt, and all flesh had corrupted its orders, and all that were upon the earth had wrought all manner of evil before His eyes. And He said that He would destroy man and all flesh upon the face of the earth which He had created. But Noah found grace before the eyes of the Lord. And against the angels whom He had sent upon the earth, He was exceedingly wroth, and He gave commandment to root them out of all their dominion, and He bade us to bind them in the depths of the earth, and behold they are bound in the midst of them, and are (kept) separate. And against their sons went forth a command from before His face that they should be smitten with the sword, and be removed from under heaven. And He said ‘My spirit shall not always abide on man; for they also are flesh and their days shall be one hundred and twenty years’. And He sent His sword into their midst that each should slay his neighbour, and they began to slay each other till they all fell by the sword and were destroyed from the earth.” – Jubilees 5:1-8

The Book of Enoch has the following to say about them:

“It happened after the sons of men had multiplied in those days, that daughters were born to them, elegant and beautiful. And when the angels, the sons of heaven, beheld them, they became enamoured of them, saying to each other, Come, let us select for ourselves wives from the progeny of men, and let us beget children. Then their leader Samyaza said to them; I fear that you may perhaps be indisposed to the performance of this enterprise; And that I alone shall suffer for so grievous a crime.
But they answered him and said; We all swear;
And bind ourselves by mutual execrations, that we will not change our intention, but execute our projected undertaking. Then they swore all together, and all bound themselves by mutual execrations. Their whole number was two hundred, who descended upon Ardis, which is the top of mount Armon.
That mountain therefore was called Armon, because they had sworn upon it, and bound themselves by mutual execrations. [Mt. Armon, or Mt. Hermon, derives its name from the Hebrew word herem, a curse.]
These are the names of their chiefs: Samyaza, who was their leader, Urakabarameel, Akibeel, Tamiel, Ramuel, Danel, Azkeel, Saraknyal, Asael, Armers, Batraal, Anane, Zavebe, Samsaveel, Ertael, Turel, Yomyael, Arazyal. These were the prefects of the two hundred angels, and the remainder were all with them.
Then they took wives, each choosing for himself; whom they began to approach, and with whom they cohabited; teaching them sorcery, incantations, and the dividing of roots and trees.
And the women conceiving brought forth giants,
Whose stature was each three hundred cubits. These devoured all which the labor of men produced; until it became impossible to feed them; When they turned themselves against men, in order to devour them; And began to injure birds, beasts, reptiles, and fishes, to eat their flesh one after another, and to drink their blood. Their flesh one after another. [Or, “one another’s flesh.” R.H. Charles notes that this phrase may refer to the destruction of one class of giants by another.]
Then the earth reproved the unrighteous.
Moreover Azazyel taught men to make swords, knives, shields, breastplates, the fabrication of mirrors, and the workmanship of bracelets and ornaments, the use of paint, the beautifying of the eyebrows, the use of stones of every valuable and select kind, and all sorts of dyes, so that the world became altered.
Impiety increased; fornication multiplied; and they transgressed and corrupted all their ways.
Amazarak taught all the sorcerers, and dividers of roots: Armers taught the solution of sorcery; Barkayal taught the observers of the stars, Akibeel taught signs; Tamiel taught astronomy; And Asaradel taught the motion of the moon,
And men, being destroyed, cried out; and their voice reached to heaven.” – Enoch 6-7.

Prometheus is a 2012 American science fiction film directed by Ridley Scott and written by Jon Spaihts and Damon Lindelof. The film stars Noomi RapaceMichael FassbenderGuy PearceIdris ElbaLogan Marshall-Green, and Charlize Theron. Set in the late 21st century, the story centers on the crew of the spaceship Prometheus as they follow a star map discovered among the remnants of several ancient Earth cultures. Led to a distant world and an advanced civilization, the crew seeks the origins of humanity, but instead discovers a threat that could cause the extinction of the human race.

The film began development in the early 2000s as a fifth entry in the Alien franchise, with both Scott and director James Camerondeveloping ideas for a film that would serve as a prequel to Scott’s 1979 science fiction horror film Alien. By 2003, the project was sidelined by the development of Alien vs. Predator, and remained dormant until 2009 when Scott again showed interest. A script by Spaihts acted as a prequel to the events of the Alien films, but Scott opted for a different direction to avoid repeating cues from those films. In late 2010, he brought Lindelof onto the project to rewrite Spaihts’ script, and together they developed a separate story that precedes the story of Alien but is not directly connected to that franchise. According to Scott, though the film shares “strands ofAlien’DNA, so to speak”, and takes place in the same universePrometheus explores its own mythology and ideas.

The film entered production in April 2010, with extensive design phases developing the technology and creatures the film required.Principal photography began in March 2011, on an estimated $120–130 million budget, with filming taking place almost entirely on practical sets and on location in England, Iceland, Spain, and Scotland. The film was shot entirely using 3D cameras.

Prometheus was supported by a marketing campaign that included viral activities on the web. The campaign released three videos that featured stars from the film, in character, which expanded on elements of the fictional universe and received a generally positive reception. Prometheus was released on June 1, 2012 in the United Kingdom and was released on June 8, 2012 in North America.

Plot

As a hovering spacecraft departs, a humanoid alien drinks a dark bubbling liquid, and then starts to disintegrate. As its bodily remains cascade into a waterfall, the alien’s DNA triggers a biogenetic reaction.

In 2089, archaeologists Elizabeth Shaw and Charlie Holloway discover a star map among several unconnected ancient cultures. They interpret this as an invitation from humanity’s forerunners, or “Engineers”. Peter Weyland, the elderly CEO of Weyland Corporation, funds the creation of the scientific vessel Prometheus to follow the map to the distant moon LV-223. The ship’s crew travels in stasiswhile the android David monitors their voyage and studies linguistics such as Schleicher’s fable. Arriving in 2093, they are informed of their mission to find the Engineers. Mission director Meredith Vickers orders them to avoid making contact without her permission. The Prometheus lands near a large artificial structure, which a team explores.

Inside they find numerous stone cylinders, a monolithic statue of a humanoid head, and the corpse of a large alien, thought to be an Engineer. They find other bodies and presume the species is extinct. David secretly takes a cylinder, while the remaining cylinders begin leaking dark liquid. A rapidly approaching storm forces the crew to return to Prometheus, leaving crew members Millburn and Fifield stranded in the structure. In the ship, the Engineer’s DNA is found to match that of humans. Meanwhile, David investigates the cylinder and discovers a dark liquid. He intentionally infects Holloway with the substance. Shaw and the unknowingly infected Holloway later have sex.

Inside the structure, a snake-like creature kills Millburn, and it sprays a corrosive fluid that melts Fifield’s helmet, exposing him to the leaking dark liquid. The crew later returns to the structure and finds Millburn’s corpse. David separately discovers a control room containing a surviving Engineer in stasis, and a star map highlighting Earth. Holloway’s infection rapidly ravages his body, and he is rushed back to Prometheus. Vickers refuses to let him aboard, and at his urging, burns him to death with a flamethrower. Later, a medical scan reveals that Shaw, despite being sterile, is pregnant with an alien offspring. Shaw uses an automated surgery table to cut it out. Weyland is revealed to have been in stasis aboardPrometheus, and explains to Shaw he wants to ask the Engineers to prevent his death from old age. As Weyland prepares to leave for the structure, Vickers calls him “Father”.

A mutated Fifield attacks the hangar bay and kills several crew members before being killed himself. The Prometheus‘ captain, Janek, speculates that the structure was part of an Engineer military base that lost control of its biological weapon, the dark liquid. Janek also determines that the underground structure is in fact a spaceship. Weyland and a team return to the structure and awaken the Engineer. David speaks to the Engineer, who responds by decapitating him and killing Weyland and his team. Shaw escapes the spaceship as the Engineer activates it. David’s still-active head reveals the Engineer is going to release the liquid on Earth. Shaw convinces Janek to stop the Engineer’s spaceship. Vickers and her lifeboat are ejected before Janek crashes Prometheus into the Engineer’s spaceship. The Engineer’s disabled spaceship crashes onto the planet, killing Vickers. Shaw goes to Vickers’ lifeboat and finds her alien offspring, which has grown to gigantic size. David warns Shaw over the intercom that the Engineer survived the crash. The Engineer bursts into the lifeboat and attacks Shaw. She releases her alien offspring onto the Engineer; it thrusts a tentacle down the Engineer’s throat, subduing it. Shaw recovers David’s remains, and with his help, they launch another Engineer spaceship. She intends to reach the Engineers’ homeworld in an attempt to understand why they created humanity and later wanted to destroy it.

In the lifeboat, an alien creature bursts out of the Engineer’s chest.

Cast

An archaeologist. Rapace described Shaw as a believer “in God” with a “very strong faith”, but that “things happen and she changes into more of a warrior.”[5] To aid her method acting she developed a complete backstory for Shaw in her head,[6] and worked with a dialect coach to help achieve an appropriate British accent,[7] she also had her make-up artist apply extra blood and sweat during filming to more accurately portray her character.[8] Rapace noted, “I was out there filming for about six months and it was super-intense, my body was in so much pain sometimes but it was absolutely amazing.”[9] She has dismissed comparisons to the Alien franchise‘s Ellen Ripley.[10] Coming to director Ridley Scott‘s attention for her performance as Lisbeth Salander in the 2009 drama film The Girl with the Dragon Tattoo, Rapace met him in August 2010,[11] and by January 2011 she had secured the role.[12] Actresses Anne HathawayNatalie PortmanGemma ArtertonCarey Mulligan, and Abbie Cornish, were all considered for the role during development.[13][14][15] Eight-year-old actress Lucy Hutchinson portrays Shaw as a child.[16]
An android designed to be indistinguishable from humans. The ship’s butler and maintenance man, it begins to develop “its own ego, insecurities, jealousy and envy”.[17][18]Fassbender stated: “David’s views on the human crew are somewhat childlike. He is jealous and arrogant because he realizes that his knowledge is all-encompassing and therefore he is superior to the humans. David wants to be acknowledged and praised for his brilliance”.[19] Writer Damon Lindelof stated that the character provides a non-human perspective on the film’s events, saying “what does the movie look like from the robot’s point of view? If you were to ask him, ‘What do you think about all of this? What’s going on? What do you think about these humans who are around you?’ Wouldn’t it be cool if we found a way for that robot to answer those questions?”[20] In developing his character, Fassbender avoided watching the android characters of Alien and Aliens (1986), and instead observed the replicants in Scott’s 1982 science fiction film Blade Runner, with a focus on Sean Young‘s character Rachael, whose “vacancy” and longing for a soul interested him.[21] He drew further inspiration from the voice of the HAL 9000 computer in2001: A Space Odyssey,[21] the “funny walk and economy of movement” of Olympic diver Greg Louganis,[22][23] and the performances of David Bowie in The Man Who Fell to EarthDirk Bogarde in The Servant, and Peter O’Toole in Lawrence of Arabia.[24] David’s blond hair was modeled after T. E. Lawrence.[25] Scott favored Fassbender for the role; by January 2011 he was confirmed to join the cast,[26] despite earlier reports his agents had sought too high a fee for their client.[17]
The billionaire founder and CEO of Weyland Corp.[27][28] Lindelof described him as having a massive ego and suffering from a god complex.[27] Pearce has claimed that his appearance in the movie is brief, saying “I’m only [in the film] for a minute”.[29] It took five hours to apply the necessary prosthetics and make-up to transform Pearce into the elderly Weyland, and one hour to remove it. Pearce observed old people to gain insight into the movement for his character, as he found replicating the impeded physical movement the most difficult part of the role.[30] Max von Sydow was Scott’s original choice to play Weyland, but Pearce was cast to allow him to portray both an elderly and young Weyland who appeared in early script drafts.[31]
The captain of the Prometheus.[32] Elba described the character as “a longshoreman and a sailor“, with a military background.[19][33] He noted “[being the captain is] his life and the crew is his responsibility,”[19] and said “he’s a realistic, pragmatic character. He has to get involved…in a film with huge ideas, you need a character like this, who can go ‘Wait…why are we doing this?'”.[33]
An archeologist and Shaw’s love interest.[34][35] Marshall-Green was cast after being seen performing on stage “off-off-off Broadway“.[35] He described Holloway as the “X Gamestype scientist”, explaining that he liked the character’s “leap-before-looking” philosophy. He further noted that Holloway “doesn’t want to meet his maker. He wants to stand next to his maker. He’s willing to go to the edge to get that.”[35] Describing the character’s motivation, he stated: “he goes to the extreme in everything he does, sometimes for the better, sometimes for the worse of the [Prometheus crew]. I think what drives him is the thrill of the search.”[19] He contrasted Holloway to Shaw, saying “she’s the believer. I’m the scientist. I’m the skeptic. I’m the atheist”.[36]
A Weyland Corporation employee, sent to monitor the expediton.[19][37] Theron described the character as “a suit who slowly sheds [her] skin through the film”,[38] and also as “somewhat of a villain … [who] definitely has an agenda”.[39] She stated “Vickers is pragmatic, and desperately wants to control the situation.”[19] Scott wanted the character to lurk in the background of scenes watching other characters instead of being the focus. Theron stated that it helped layer her character because “you’re just so suspicious of her, instantly.”[40] The similar appearances and mannerisms of Vickers and David were intended to raise the possibility that David was based on Vickers’s DNA, or that Vickers is an android herself.[41] After Theron’s casting, she developed three new scenes with Scott and Lindelof to expand her character.[3] Physical action scenes were an issue for Theron because of scenes that involved her running through sand in 30 pounds (14 kg) boots, and her cigarette habit.[40] Theron was intended to portray Shaw, but a prior commitment to Mad Max 4: Fury Road prevented her involvement. When that film was delayed, she was able to rejoin Prometheus.[42] Michelle Yeoh and Angelina Jolie[12] were considered for the role.[17]
biologist. Spall auditioned for another role, but Scott wanted him to play Millburn.[43][44] On his casting, Spall said “Alien is one of the best films ever made, and it’s a real buzz to be in a space suit on an ‘Alien’ set with Ridley Scott coming and speaking to you. It’s incredible. That’s why I wanted to be an actor, to be in a space suit on an ‘Alien’ set”.[45]
geologist who has become unstable after many missions.[46][47] Harris described the character as “someone who can sense when things are up. He’s your audience guy, going, ‘Don’t go in that tunnel. We should not be doing this!'”.[47] Fifield’s bright red mohawk hairstyle was designed by Harris and Scott, based on Scott’s sketch of a man with a “severe haircut”.[47]

Other cast members include Kate Dickie as the ship’s medic, Ford;[44] Emun Elliott and Benedict Wong as, respectively, ship pilots Chance and Ravel;[48][49] and Patrick Wilsonas Shaw’s father.[50]

Production

Development

Development on a fifth film in the Alien franchise was in progress by 2002. At the time, Scott was considering returning to the series he created with his 1979 science fiction horror film Alien, to pursue a sequel that would explore the engineered origins of the series’ Alien antagonists,[51] and the “space jockey”—the extraterrestrial being, who briefly appears inAlien, as the deceased pilot of a derelict spaceship.[52] Alien star Sigourney Weaver also expressed interest in returning to the series.[53] Aliens director James Cameron discussed the potential for a sequel with Scott, and began working with another writer on a story for the film. It was then that 20th Century Fox approached Cameron with a script for a crossover film that would pit the series’ monsters against the titular characters of the Predator films; what would become the 2004 science fiction film Alien vs. Predator.[54] After Fox confirmed that it would pursue the crossover, Cameron stopped working on his own project, believing the crossover would “kill the validity of the franchise”.[55] In 2006, Cameron confirmed that he would not return to the project, believing that the series was Fox’s asset, and he was unwilling to deal with the studio attempting to influence the potential sequel.[54]

In May 2009, Fox first reported the project as a “reboot”[56] to the Alien franchise, which was soon afterwards expressed as a then untitled prequel to Alien.[57][58] Development stalled in June 2009, when Fox clashed with Scott over his selection of former commercial director Carl Erik Rinsch as director. Fox was only interested in pursuing the project if Scott directed.[59] By July 2009, Scott was attached to direct the film, and screenwriter Jon Spaihts was hired to pen the script based on his pitched idea for a direct Alienprequel.[40][60] With both director and writer in place, and pleased with Spaihts’ pitch, Fox scheduled a release date for December 2011, but this was eventually dropped.[61] In June 2010, Scott announced that the script was complete and that pre-production would begin, with a filming date set for January 2011.[62] However, by July 2010, Lindelof had been hired to redevelop Spaihts’s screenplay into a more original work.[63][64] In October 2010, Lindelof submitted his refined screenplay to Fox. The studio was pleased because it had contested Scott’s proposed budget of $150–160 million and found Lindelof’s screenplay to be more budget-conscious;[citation needed] Scott had initially requested a $250 million budget and an adult oriented product, but Fox was reluctant to invest this amount of money, and wanted to ensure the film would receive a lower age-rating to broaden the potential audience.[65]

In December 2010, it was reported that the film would be called Paradise,[17] named after the John Milton poem Paradise Lost, but Scott considered that it would convey too much about the film. Fox CEO Thomas Rothman suggested Prometheus, which was confirmed as the title in January 2011.[66][67] A release date was scheduled for March 9, 2012, but weeks later the date was pushed back to June 8, 2012.[66][68] With the name confirmed, the production began to publicly distance the film from its Alien origins. The filmmakers were deliberately vague about the connection between the films, believing it would build audience anticipation for Prometheus.[64] Scott stated that “while Alien was indeed the jumping-off point for this project, out of the creative process evolved a new, grand mythology and universe in which this original story takes place. The keen fan will recognize strands of Alien‘s DNA, so to speak, but the ideas tackled in this film are unique, large and provocative.”[69] In June 2011, Scott and Lindelof confirmed that Prometheus takes place in the same universe as the events of the Alien series.[70][71] In July 2011, Scott stated that “by the end of the third act you start to realize there’s a DNA of the very first Alien, but none of the subsequent [films]”.[72]

Writing

“…We’re exploring the future… away from Earth and [asking] what are people like now? … Space exploration in the future is going to evolve into this idea that it’s not just about going out there and finding planets to build colonies. It also has this inherent idea that the further we go out, the more we learn about ourselves. The characters in this movie are preoccupied by the idea: what are our origins?”

Damon Lindelof, concerning the scope of Prometheus.[73]

Spaihts met Scott in late 2009, where they discussed Scott’s desire to pursue an Alien prequel. Spaihts offered his concept, including a “bridge” that would connect the film’s “human story” to the Alien saga. He was quickly hired, which he credited to the reception of his “bridge” idea. Spaihts claimed his concept was created in the moment, and he had no ideas planned in advance. Spaihts set about writing a 20-page “extremely detailed outline”, and within three and a half weeks his first draft was complete, and submitted to the producers on Christmas Day, 2009. Within 12 hours, Scott returned the script with notes for changes, and Spaihts spent the Christmas holiday redrafting.[61]

Spaihts was tasked with exploring unresolved mysteries from Alien such as the Space Jockey. He saw the driving mysteries of Alien as “alien in nature”, stating “all the mysteries have alien players: the exoskeleton nightmare and… the elephantine titan that was called the ‘space jockey’… How do you make anyone care about events between creatures like this?” He found a solution in tying the alien mysteries to the past and future of human history. He explained: “if that story is somehow ours, and deeply enmeshed with the human story. That story changes meaning within our own life, things of such significance that we think of our own lives differently”.[74] He found translating Scott’s stylistic visual concepts to text difficult, and he periodically had to rein in some of the director’s ideas such as reminding Scott that in the scene they were discussing, the characters were subject to gravity and so could not simply float.[61] By April 2010, the script was on the fourth draft.[75] Scott described the script, saying “we are talking about gods and engineers. Engineers of space. And were the aliens designed as a form of biological warfare? Or biology that would go in and clean up a planet?”[76] In June 2010, Scott stated that the script was complete and ready for filming.[62]

However, Scott instead contacted Lindelof and requested that he review Spaihts’ script.[77] Within the hour, a messenger delivered the script to Lindelof and informed the writer that he would be waiting outside to take it back as soon as Lindelof had finished reading it.[78] Unaware of what the producers liked about the existing script, Lindelof informed Scott and the producers that he found the general concept appealing, but that the story relied too heavily on elements of the Alien films, such as the general concept of the Alien creatures life-cycle. As a direct prequel to Alien, it was focused on leading into that film’s story, and recreating the familiar cues of that series,[77] and Scott was adamant that he avoid repeating previous accomplishments.[79] Lindelof clarified, “If the ending to [Prometheus] is just going to be the room that John Hurt walks into that’s full of [alien] eggs [in Alien], there’s nothing interesting in that, because we know where it’s going to end. Good stories, you don’t know where they’re going to end.”[79] “A true prequel should essentially proceed [sic] the events of the original film, but be about something entirely different, feature different characters, have an entirely different theme, although it takes place in that same world.”[71]

Writer Damon Lindelofpromoting Prometheus atWonderCon in 2012. Lindelof was hired to rewrite Jon Spaihts‘s original script.

Lindelof suggested that the other parts of the script were strong enough to survive without the Alien hallmarks, such as the Alien creature which he believed had been “diluted” by the exposure it had received since, and the burden of “all the tropes of that franchise with Facehuggers and Chestbursters”.[71][80] He offered that the film could instead run parallel to those films, such that a sequel would be Prometheus 2 and not Alien, and submitted an idea for how such a sequel could work. He met with the producers the following morning, and was hired shortly afterwards in late 2010.[40][80] Under Lindelof, the script began to divert from Spaihts’ Alien prequel into a more original creation.[40] Scott and Lindelof worked together five days a week between July and August 2010, trying to piece together exactly what vision Scott was trying to convey and how the script needed to change, including scaling back the Alien symbology and tropes. Beginning in August, Lindelof spent four to five weeks writing his first draft before submitting it mid-September 2010.[64] Inspired by Blade Runner and Spaihts’ script, Lindelof thought that it would be possible to combine an Alien story of action and horror with “the Blade Runner thematic”,[77] to ask bigger questions that he felt were normally posed in science fiction films. Lindelof explained:

Blade Runner might not have done well [financially] when it first came out, but people are still talking about it because it was infused with all these big ideas. [Scott] was also talking about very big themes in Prometheus. It was being driven by people who wanted the answers to huge questions. But I thought that we could do that without ever getting too pretentious. Nobody wants to see a movie where people are floating in space talking about the meaning of life … That was already present in [Spaihts’] original script and [Scott] just wanted to bring it up more.
[77]

Scott’s story concept was partially inspired by the work of Chariots of the Gods? author Erich von Däniken‘s writings about the theory of ancient astronauts, suggesting that life on Earth was created by aliens.[58][70] Scott said, “NASA and the Vatican agree that [it is] almost mathematically impossible that we can be where we are today without there being a little help along the way… That’s what we’re looking at [in the film], at some of Erich von Däniken’s ideas of how did we humans come about.”[70]Spaihts originated the idea that David, the android, is like humans, but does not want to be anything like them, eschewing a common theme in “robotic storytelling” such as Blade Runner. He also developed the theme that while the human crew are searching for their creators, David is already among them. Scott liked these ideas and had them explored further in Lindelof’s rewrite.[81] For Shaw, Lindelof felt it was important that she be distinct from Alien‘s Ripley, to avoid inevitable comparisons between the two female leads. In Spaihts’ draft, Shaw was directly responsible for the events of the plot because of her desire to seek out potentially dangerous knowledge. As with David, Lindelof further expanded this facet of the character during his rewrites. Lindelof spent approximately eight months developing the script, finishing in March 2011, as filming began.[82]

Pre-production

Pre-production had begun by April 2010, with a team developing graphic designs for the film’s requirements.[75] Scott convinced Fox to invest millions of dollars into the hiring of scientists and conceptual artists to develop a vision of the late 21st century.[3] Production of Prometheus was marked by a high degree of secrecy[83] with story details “extremely under-wraps.”[84] Determined to maintain the secrecy of the plot, Scott required the cast to sign clauses to prevent them disclosing story details, and the cast were only allowed to read the script under supervision in Scott’s production office.[85] One exception was made when a courier flew to one of the actors in a foreign location and then stood guard while the actor read the script.[85] Concerning the confidential nature of the script, Scott stated: “I was insistent that the script not leak onto the internet, where it gets dissected out of context, which spoils it for everyone.”[85]

In July 2011, Lindelof stated that the film would be relying on practical effects, and employing CGI generally for on-set pre-visualization of external space visuals.[86] Scott recalling advice special effects artist Douglas Trumbull gave him on the set of Blade Runner stated, “if you can do it live, do it live”, with Scott claiming that although “you can pretty much do anything you want”[87] with digital technology, practical effects are more cost effective.[22][88] Cinematographer Darius Wolski convinced Scott that it would be possible to film in 3Dwith the same ease and efficiency of typical filming. 3D company 3ality Technica provided some of the rigs and equipment to facilitate 3D filming, and trained the film’s crew in their proper operation.[89] According to Scott, the decision to film in 3D added $10 million to the film’s budget.[90] Since 3D films need high lighting levels on set, the hallmark atmosphere of the Alien films with darkness and shadows was added in post-production through grading processes, while the 3D equipment was based on post-Avatar technology.[91][92]

Principal photography

Ridley Scott directing Noomi Rapace on the set of Prometheus.

Principal photography began on March 21, 2011, on an estimated $120–130 million budget.[3][93] Filming was scheduled to take place over six months,[10] but it took longer than forecast: the film was still being shot in September 2011.[94] Filming began at Shepperton Studios in Surrey, England, part of the Pinewood Studios group,[7] where Scott used eight sound stages for filming, including the 007 Stage.[85][95] Studio space was limited and the crew were forced to make the stages work for over 16 different sets, and also increase the size of the 007 stage by over 30%.[96]

In July, filming moved to Iceland for two weeks, commencing at the base of the active Hekla volcano in southern Iceland on July 11, 2011. Speaking about working at the base of an active volcano, Scott stated “If one is afraid of nature in this profession then it would be best to find a different job”.[97] Filming also took place at one of the most powerful waterfalls in Europe, the Dettifoss waterfall in the north east of Iceland, in the Vatnajökull National Park.[98] The Iceland shoot involved 160 Icelandic crew members and over 200 imported crew.[97]Scott claimed that the Iceland filming comprised approximately fifteen minutes of footage for the film, and that the area represented the “beginning of time”.[99] Exterior shots of the alien world were shot in Iceland.[100] Morocco had been an intended shooting location instead of Iceland, but the 2010 Arab Spring protests forced the change of venue.[3] Alternatives including the Mojave Desert had been considered alongside Iceland,[101] but Scott explained that the country was ultimately chosen because “here it is so rough and ‘Jurassic-like’ and that proved decisive”.[97]

In September 2011, filming moved to the Ciudad de la Luz audiovisual complex in Alicante, Spain. Shooting areas included the complex’s large water tank, and a nearby Alicante beach.[94][102] The complex was booked from August 22, 2011, through to December 10, with set construction occurring from August until late September.[94] Approximately 250 people worked on the three month-long Spain shoot, generating over 1 million to the local economy.[103] Filming also took place in the Wadi Rum valley in Jordan.[3]

Scott avoided using green screens unless necessary, instead employing various items to help the actors understand where they were meant to be looking in any particular scene on the practical sets that would have a CGI presence inserted in post-production.[104] Rapace claimed that green screens were used less than six times during filming.[79] The production used five 3ality Technical Atom 3D rigs, four of which were configured with Red Epic 3D cameras set up for use on camera dollies and tripods, which were continuously in use during filming. The fifth rig employed an Epic camera for use as a steadicam, which was only used as required.[89][105]

Post-production

Scott focused on using the 3D footage to increase the illusion of depth. Despite this being his first 3D film he found the process easy. He stated: “You can literally twiddle a knob and the depth will increase”, “the trick is not to overdo it”.[104] Prometheus contains approximately 1,300 digital effect shots.[104] Moving Picture Company were the lead visual effect studio and produced 420 of the shots.[106] Several other studios also produced the visual effects including Weta Digital,[3] Fuel VFX,[107] Rising Sun PicturesLuma Pictures, Lola Visual Effects, and Hammerhead Productions.[108] In December 2011, Rapace undertook additional dialogue recordings for the film.[5] Additional pick-up scenes were filmed during January 2012, including a one-day shoot on the Isle of Skye, Scotland, and a new scene shot at a cave in the Scottish mountains.[109][110][111] For dark scenes with little lighting, the film was color graded to specifically compensate for the slight dimness introduced by wearing 3D glasses, to ensure the image was comparable to the 2D version.[106]

In July 2011, Scott stated that he was filming Prometheus with both adult-oriented R and more accessible PG-13 film ratings in mind, allowing the more adult content to be cut if necessary without harming the overall presentation. Scott claimed he had a responsibility to 20th Century Fox to be able to present a PG-13 cut of the film if the studio demanded, allowing it to be viewed by a wider potential audience.[112] When asked about the rating, Scott explained “the question is, do you go for the PG-13, or do you go for what it should be, which is R? Financially it makes quite a difference…essentially it’s kinda R…it’s not just about blood, it’s about ideas that are very stressful.”[113] Scott maintained that, regardless of rating, he would present the most “aggressive” cut of the film he could,[113] while Rothman stated that Scott would not be forced to compromise the film’s quality to avoid an R-rating.[114] On May 7, 2012, Fox confirmed that the film had received an R-rating and would be released without any cuts being made.[115][116] A fight scene between Shaw and the Engineer was edited out of the finale because Scott decided that Shaw wounding the Engineer diminished his role.[117] Scott concluded work on the film in March 2012.[118]

Design

Production designer Arthur Max led the film’s design. His art team were tasked with deconstructing the art and visuals of Alien and reverse-designing them for the earlier-time setting of Prometheus.[119][120] Influence was drawn from the work of Alien creature designer H. R. Giger, and designers Ron Cobb and Chris Foss, including their designs for that film which Scott had been unable to develop at the time.[120] Max designed the sets including the alien structures and the alien world landscape, and vehicles, including the Prometheusand Engineer ship.[7][96] Digital 3D models and miniature replicas were built of each set, allowing them to see how sets should connect and to know where the sets would end and the CGI would begin. To better blend the practical and the digital, the design team took rock samples during the Iceland shoot, allowing them to match the graphical textures with the real rocks caught on film.[121] Max researched NASA and European Space Agency designs and developed these concepts with his vision of how space travel would look in the future to create the Prometheus. He stated that he wanted “to do something that was state-of-the-art, which would represent a flagship spacecraft with every technology required to probe into the deepest corners of the galaxy.”

The film’s titular spaceship, as seen in a promotional image.

The interior of the ship was built across a two-level structure, fronted by a large, faceted, wrap around windscreen. Theron’s quarters were designed to represent her high status on the ship, being furnished with modern and futuristic items including Swarovski chandeliers and a Faziolipiano.[96] The ship’s garage was built on the backlot of Pinewood Studios in England. The vehicles within were built over 11 weeks and were designed to operate on difficult terrain while still possessing a futuristic aesthetic. Max created a large Pyramid structure for the alien world, with main interior areas connected by a series of chambers, corridors and tunnels, so expansive that some crew became temporarily lost within. The pyramid was enhanced in post-production to further increase its size.[96] One of the key sets, the chamber where the crew find the humanoid-head statue, was designed to resemble the interior of a cathedral and convey a “quasi religious” impression.[120] Giger designed the murals that appear within the chamber.[72]

For the crew’s space suits, Scott was inspired to include spherical glass helmets after reading a story in Apple co-founder Steve Jobs‘ biography, about building an office out of Gorilla Glass, with Scott remarking “If I’m in 2083 and I’m going into space, why would I design a helmet that has blind spots. What I want is something where I have 360 [vision]. Glass, by then, will be light and you won’t be able to break it with a bullet.”[18]The interior of the prop helmets had nine functioning video screens, internal lighting, an oxygen supply provided by two fans, with battery packs concealed within a backpack. The helmet’s exterior featured a functional light source and high-definition cameras with a transmitter and recorder. For the suit itself, Scott wanted to avoid the unwieldy NASA-style suit. His frequent collaborator, Academy award-winning costume designer Janty Yates, used medical research concepts relating to skin replacement treatments and materials to develop a design that could believably provide a flexible and comfortable garment. The outfit comprised a neoprene suit worn under an outer space suit, a base to which the helmet could be attached, and a backpack.[96]

Aboard the ship, Yates gave the characters their own distinct look. Theron is dressed in an ice-silver, silk mohair suit, with Yates explaining: “[Theron] is the ice queen. It was always our vision to make her look as sculptural as possible”. Fassbender’s David is dressed similar to other crewmen, but his outfit was given finer lines to produce a more linear appearance. To create a casual, relaxed appearance, Marshall-Green’s Holloway was dressed in hoodies, fisherman pants, and flip-flops, while Elba wore a canvas-greased jacket to represent his long career at the helm of a ship.[96]

A key scene involving a large 3D hologram star map was inspired by the 1766 Joseph Wright painting “A Philosopher Lecturing on the Orrery“, in which a scientist displays a mechanical planetarium by candlelight. While discussing the necessity of a star map with Spaihts, Scott mentioned the painting as how he saw the map being physically represented, although he was unaware of the name and described it only as “circles in circles with a candle lit image”. To Scott’s pleasure, Spaihts located the correct image based on his description. Spaihts stated: “making the leap from a star map, to an Enlightenment painting, and then back into the far future. [Scott’s] mind just multiplexes in that way”.[74]

Creature effects

Neal Scanlan and Conor O’Sullivan developed the film’s alien creatures, aiming to convey each creature as having a logical biological function and purpose. Scanlan stated that much of Scott’s inspiration for creature design is drawn from natural life such as plants and sea creatures.[96] The snake-like alien dubbed the “Hammerpede” was given life through a mixture of CGI and practical effects which included digitally removing wires controlling the practical puppet. For a scene where the Hammerpede is decapitated, the VFX team digitally animated and inserted the spontaneous growth of a replacement head.[122] During a scene when the Hammerpede erupts from Spall’s character’s corpse, Scott was in control of the puppet using wires. Scott did not inform Dickie about what was to occur in the scene and her screaming reaction was real. The creature’s design was partially inspired by translucent sea creatures with visible arteries, veins and organs beneath the skin’s surface, and Cobras, creating a “smooth and muscular and powerful” appearance. For the tentacled offspring cut out of Rapace’s Shaw, the “Trilobite”, early designs resembled an Octopus or Squid until designer Neville Page redeveloped the concept as an embryo in an early state of development, with tentacles that began fused together and would gradually split as the creature developed, creating new tentacles. The practical creature was ananimatronic creation.

For its grown form, the “Adult Trilobite”, Max found inspiration from an arthropod-like creature from Earth’s Cambrian era, and the alien octopus illustrations of the Jean Giraud-illustrated The Long Tomorrow comic strip written by Alien writer Dan O’Bannon. The final inspiration for Max’s design came after he found a formaldehyde-preserved giant squid, an image which met with Scott’s approval. The film’s last-unveiled creature, the “Deacon”, was named by Scott for it’s long, pointed head that he considered resembled a “bishop’smitre, the evil deacon’s pointed hat”. Scanlan aimed to design the creature to represent its genetic lineage: beginning with Shaw and Holloway, who produce the Trilobite, which impregnates the Engineer. However, they focused on making the character feminine, claiming that “it was born of a female before being born of a male.” Visual effects art director Steven Messing drew inspiration for the Deacon’s birth scene from horse foal births, and created an iridescent-like appearance for its skin, based on the placenta from foal birth.[123]

Music

Frequent Scott collaborator Marc Streitenfeld composed the musical score for Prometheus.[124] The score was recorded over one week with a 90-piece orchestra at Abbey Road Studios in London, England,[125] where it was also processed by Scott after the fact.[18] Streintenfeld began coming up with ideas for the score after reading the script prior to the commencement of filming. To create an “unsettling” sound, he provided the orchestra with reversed music sheets to have them play segments of the score backwards, before then digitally reversing it.[125] The Prometheus (Original Motion Picture Soundtrack) album was released on iTunes on May 15, 2012,[126] and on CD on June 4, 2012.[127] It features 23 tracks by Streitenfeld, plus two supplemental tracks by composer Harry Gregson-Williams.[128]

Marketing

Ridley ScottCharlize Theron and Michael Fassbender promoting the film atWonderCon in March 2012.

Prometheus‘s marketing campaign began on July 21, 2011, at the San Diego Comic-Con International, where images and footage from the film were presented by Lindelof and Theron, with Scott and Rapace participating via satellite contribution.[73][129] A segment of the footage showed Theron performing “naked push-ups” which attracted much attention.[84][130][131] A teaser poster was revealed on December 14, 2011, with the tagline, “The search for our beginning could lead to our end.”[132] A bootleg recording of an incomplete teaser trailer was leaked online on November 27, 2011, but was swiftly taken down by Fox.[133] The teaser trailer was released on December 22, 2011.[134]

On March 17, 2012, Scott, in partnership with AMC Theaters, hosted the premiere of the first full Prometheus trailer at the AMC Downtown Disney, during WonderCon in Anaheim, California. The event was streamed live via Facebook, Twitter, and the AMC Theater website, and the trailer was posted on AMC’s Youtube channel immediately after its debut.[135] Reaction to the trailer was considered to be positive among WonderCon attendees and on Twitter,[136] and it received nearly three million views in the three days following its release.[137] On April 10, 2012, media outlets were shown a 13 minute montage of scenes from the film’s opening in 3D at the Vue Cinema in Leicester Square, London.[138] The screening was well received, with particular mentions given to the 3D visuals and the performances of Fassbender, Rapace, Theron, and Elba.[24][138][139]

On April 29, 2012, the international launch trailer debuted in the United Kingdom on Channel 4 during the first advertisement break of the TV show Homeland. Viewers were encouraged to share their opinions about the trailer on Twitter, some of which were then shared in a live broadcast during a later break. This marked the first time that viewers’ tweets were used in a broadcast advertisement.[140][141] Alongside the trailer, a competition was launched on the social platform Zeebox, offering viewers a chance to win tickets to the film whenever Zeebox detected the advertisement airing.[142] On May 8, 2012, the advertisement became subject to an investigation by the British broadcasting regulatory bodyOfcom for allegedly breaching broadcast rules when a voice over encouraged viewers to book tickets while the advertisement played and with the Channel 4 logo onscreen. The act potentially broke a rule that advertising and teleshopping must be clearly distinguishable from editorial content.[143][144]

Although marketers typically avoid collaborating with adult-oriented films to focus on reaching broader audiences, the film attracted several promotional partners including Coors,Amazon, and Verizon FiOS. The campaigns were estimated to have spent $30 million in marketing support. Amazon directed interested users to purchase tickets throughFandango, and placed promotional material in products shipped to customers; this was the first time that Amazon had allowed such marketing by an external company.[145] The premiere in London, England, was streamed live via the film’s website and the Verizon FiOS Facebook. The event was facilitated by BumeBox, which culled audience questions from social sites and delivered them to reporters to ask at the event.[146] The National Entertainment Collectibles Association (NECA) are developing a series of Prometheus action figures, scheduled for release in September 2012.[147] Prometheus: The Art of the Film, a book containing production art and behind-the-scenes photos from the film, was released on June 12, 2012.[148]

Viral campaign

An advertisement for “David” printed in newspapers.

A viral marketing campaign began on February 28, 2012, with the release of a video featuring a speech by Pearce, in character as Peter Weyland, about his vision for the future. Set in 2023, the video presents a futuristic vision of a TED conference, an annual technology and design event held in Long Beach, California. The segment was conceived and designed by Scott and Lindelof, and directed by Scott’s son, Luke. The production was made in collaboration with, and made available through TED because Lindelof wanted to introduce new audiences to the conference itself. Lindelof explained that the scene takes place in a futuristic stadium rather than the smaller locations of real TED conferences because “a guy like Peter Weyland—whose ego is just massive, and the ideas that he’s advancing are nothing short of hubris—that he’d basically say to TED, ‘If you want me to give a talk, I’m giving it in Wembley Stadium.'”[27]

TED community director Tom Rielly helped gain approval for the use of the TED brand, which had not previously been used for promotional purposes. He was involved in designing the 2023 conference, preparing an “extensive briefing on all the visual and audio aspects of a TEDTalk circa 2012 and a corresponding speculation on how things would work in the future”, that included flying video cameras and “live Twitteresque feedback”. Rielly claimed that the association generated millions of new visitors to the TED website.[149] The video’s release was accompanied by a fictional TED blog about the 2023 conference and a tie-in website for the fictional Weyland Corporation.[150][151] On March 6, 2012, the Weyland website was updated to allow visitors to ‘invest’ in the company as part of a game to reveal new Prometheus media.[152]

During the 2012 WonderCon, attendees at the film’s panel were given Weyland Corporation business cards that directed them to a website and phone number. Calling the number resulted in the caller being sent a text message from Weyland Corporation that linked them to a second viral video. Narrated by Fassbender, the video is presented as an advertisement for the “David 8” android, portrayed by Fassbender.[153] An extended version of the video was released on April 17, 2012. The advertisement details “David”‘s features including its ability to seamlessly replicate human emotions without the restrictions of ethics or distress.[154][155] Accompanying the video, a full page “David” advertisement was placed in The Wall Street Journal; a Twitter account operated by a David8 was revealed, allowing Twitter users to ask the character questions;[156] and a partnership with Verizon FiOS was launched, offering a virtual tour of the Prometheus spaceship.[156] Another video, “Quiet Eye”, starring Rapace as Shaw, was released on May 16, 2012, debuting through the Verizon FIOS Facebook.[146] In the video, Shaw requests Weyland’s aid to seek out alien life, in a phone call monitored by Yutani, a fictional company from the Alien series.[157] In France, the Saint-Martin ghost train station was converted in appearance to resemble alien architecture from the film, visible to passing commuters.[158] The campaign continued following the film’s release with a website highlighted during the film’s end credits. The site referenced the philosophical novelThus Spoke Zarathustra by Friedrich Nietzsche, and featured a further video of Pearce’s Weyland, quoting from the book.[159][160]

Discussing the videos at the May 2012 Digital Hollywood conference, Lindelof claimed that they originated from the question of the film’s status as an Alien prequel. It was decided that creating videos with the film’s stars would generate more interest than anything that could be said in regards to its connection to the Alien films. He furthered that the challenge in creating the videos was that they needed to be good enough to justify their existence, but not so important that their absence from the final film would be an issue for audiences.[161]

Release

The premiere of Prometheus took place on May 31, 2012, at the Empire cinema in Leicester Square, London.[118][162] The film was released on June 1, 2012, in the United Kingdom,[115] and was released on June 8, 2012, in North America.[68] It was simultaneously released in IMAX theaters and in 3D,[163] and it is encoded for D-Box motion seats that provide physical feedback to the viewer during the film.[164]

Pre-release

In the United Kingdom, approximately £1 million ($1.6 million) of tickets were pre-sold.[165] 18,827 tickets pre-sold for the London IMAX, the largest IMAX screen in the country, which broke the theater records for the highest grossing week of pre-sales with £293,312 ($474,687), and the highest grossing first day of pre-sales with £137,000 ($221,717).[166] It extended this record to 30,000 tickets sold and £470,977 ($737,588) earned, becoming the most pre-booked film at the theater, exceeding the performance of high-profile IMAX releases including Harry Potter and the Deathly Hallows Part 2 and Avatar.[167]

In North America, audience tracking showed high interest among males of all ages, but low interest among females.[168] The week preceding release saw conflicting opinions on whether the film or Madagascar 3: Europe’s Most Wanted would place number 1 for the weekend during their simultaneous release. As of June 6, 2012, Fandango reported thatPrometheus was leading with 42% of daily sales, while Madagascar 3 was responsible for 35% of daily sales. Additionally, the online tracking for Prometheus surged with each new piece of promotional footage.[169] However, pre-release tracking is usually less reliable for animated films; since Madagascar 3 was the first truly family-oriented film of the summer, many speculated that there would be large demand for it.[170] The official 20th Century Fox prediction placed Prometheus around $30 million, while DreamWorks Animation andParamount placed Madagascar 3 at about $45 million.[171] As the weekend came closer, pre-release audience surveys suggested a $55 million debut for Madagascar 3 and $50-$55 million for Prometheus.[172] Prometheus was also in the disadvantage of a less wide release (3,394 theaters against 4,258 theaters for Madagascar 3). Furthermore, the R rating of the film was considered a limiting obstacle.[173]

Box office

As of June 15 2012, the film has earned $68,658,127 in North America and $92,736,717 elsewhere for a worldwide total of $161,394,844.[4]

Prometheus was initially released in 15 markets from May 30 to June 1, 2012 – about a week before its North American release. The earlier start in these countries was timed to avoid competition with the start of the 2012 UEFA European Football Championship the following week. On its opening day (it varies depending on the country), it earned $3.39 million in the United Kingdom,[174] $2.2 million in Russia,[175] and $1.5 million in France.[165] The film earned $34.8 million during its opening weekend from 4,695 theaters in 15 markets, debuting at #1 in 14 of them, with an average of $7,461 per theater. Its overall rank for the weekend was third behind Men in Black 3 and Snow White & the Huntsman.[176]Its opening weekends in the United Kingdom, Ireland and Malta ($10.1 million), Russia and the CIS ($9.80 million), and France and the Maghreb region ($6.68 million) represented its largest takings.[177][1] By June 8, the film had opened in a total of 50 markets, seeing further success during its opening weekends in Australia ($7.2 million) and South Korea ($4.2 million).[178]

In North America, the film earned $3.561 million in midnight showings at 1,368 theaters, including $1.03 million from 294 IMAX theaters, and went on to earn $21.4 million through its opening day.[179] During its opening weekend, it earned $51.05 million from 3,396 theaters – an average of $15,032 per theater – ranking second behind Madagascar 3 ($60.4 million). The figure placed it as the second largest opening for a film directed by Scott (behind his 2001 thriller Hannibal), the third largest second-place opening, the ninth largest opening for a prequel, and the tenth largest for an R-rated film. The largest segment of the opening weekend audience was over the age of 25 (64%) and male (57%). 3D showings accounted for 54% of ticket sales, while IMAX contributed 18% – the majority of which was accounted for in the 3D figure.[180][181][4]

Critical response

Michael Fassbender in 2012. Critics were near unanimous in praise for his portrayal of the android David.

The film garnered a 74% approval rating from 235 critics – an average rating of 6.9 out of 10 – on the review-aggregate website Rotten Tomatoes, whose consensus reads: “Ridley Scott’s ambitious quasi-prequel to Alien may not answer all of its big questions, but it’s redeemed by its haunting visual grandeur and compelling performances — particularly Michael Fassbender as a fastidious android.”[182] Metacritic provides a score of 65 out of 100 from 42 critics, indicating “generally favorable” reviews.[183] CinemaScore polls reported that the average grade moviegoers gave the film was a “B” on an A+ to F scale, with audience members under 25 rating it the highest at A-.[179][184] Reviews were frequently praising of both the film’s visual aesthetic and design, and Fassbender’s performance as the android David received almost universal acclaim. However the plot drew a more mixed response, with criticism of plot elements that remained unresolved or were predictable, tempered by appreciation for the action and horror set-pieces.

The Hollywood Reporter‘s Todd McCarthy called the film’s visuals vivid, stunning and magnificent on a technical level, singling out the performances of Fassbender, Rapace and Theron for praise, but lamented that the film catered too much to audience expectations, making it predictable.[185] Time Out London‘s Tom Huddleston felt the plot was “flat” and “predictable”, the characters “emotionless”, and that while the film was “perfectly entertaining”, it did not live up to pre-release expectations.[186] Emanuel Levy cited the plot as his only complaint with the film, stating that it is unable to follow through with its philosophical ideas.[187] Roger Ebert gave the film 4 out of 4 stars, labeling it a “magnificent … blend of story, special effects and pitch-perfect casting, filmed in sane, effective 3-D that doesn’t distract.” Ebert positively compared Rapace to Sigourney Weaver’s performance in Alien as continuing “the tradition of awesome feminine strength”, but considered Elba the most interesting performer. Ebert thought that the plot, in raising questions and not answering them, made the film “intriguing” and in the “classic tradition of golden age sci-fi”.[188]

Total Film‘s Jonathan Crocker however offered that the plot successfully integrated itself with Alien‘s mythology while offering its own original ideas.[189] Entertainment Weekly‘s Lisa Schwarzbaum was positive towards the cast, particularly Rapace, and the cinematography.[190] Salon‘s Andrew O’Hehir offered that the film was “somber, spectacular and ponderous,” but that the ” portentousness and grandiosity…is at once the film’s great strength and great weakness” criticizing characters for lacking “common sense”. O’Hehir also mentioned Wolski’s cinematography and Max’s production design.[191] The New York Times A. O. Scott criticized the story as weak, undermining its “lofty, mindblowing potential” with “bits of momentarily surprising information bereft of meaning or resonance”, but described Rapace as a “fine heroine, vulnerable and determined”.[192]

In a negative review, Variety film critic Justin Chang described the film’s structure and genre as being unable to handle the philosophical undertow of the plot, and felt Prometheuswas “lazily deferring” key plot points under the presumption that a sequel would be made.[193] The Guardian’s Peter Bradshaw was less critical but thought that Prometheus “[lacked] the central punch of Alien“, calling the film “more grandiose, more elaborate – but less interesting”.[194] Ian Nathan of Empire magazine was unimpressed by Rapace — whom he described as an unconvincing lead — and summarised the film as lacking suspense.[195] The Village Voice‘s Nick Pinkerton stated that the film is “prone to shallow ponderousness”, that can “mimic the appearance of an epic, noble, important movie”, but fails to “payoff”. He criticized Rapace and Marshall-Green for failing to instill interest in their character relationship, but added: “there are a few set pieces here that will find a place of honor among aficionados of body horror and all things clammy and viscous”.[196]

Writing in The AtlanticGovindini Murty provided a comprehensive guide to the film’s mythological, literary and cinematic influences – from H.P. Lovecraft, to the drawings of William Blake.[197]

Accolades

Year Award Category Recipient Result Ref.
2012 Golden Trailer Awards Summer 2012 Blockbuster Trailer Prometheus / “Not Alone”, 20th Century Fox, Wild Card Nominated [198]
Best Sound Editing Prometheus, 20th Century Fox, Skip Film Nominated
Teen Choice Awards Choice Movie Breakout Noomi Rapace Pending [199]
Choice Summer Movie – Action Prometheus Pending
Choice Summer Movie Star – Female Charlize Theron (shared with Snow White & the Huntsman) Pending

Home media

In North America, the DVD and Blu-ray disc versions of the film were listed for pre-order in partnership with Amazon, a week before the film had been released in theaters. A limited number of tickets to the film were offered as a pre-order incentive.[200] The film is scheduled for release on Blu-ray disc and DVD on October 9, 2012.[201] In a June 2012, interview Scott stated that the home release would feature an extended cut of the film featuring an additional 20 minutes of footage and up to 30 minutes of deleted scenes.[117] In June 2012,FX obtained the rights to the film’s network premiere.[202]

Sequel

During the March 17, 2012, WonderCon, Scott stated that the film leaves many questions unanswered, and that these could be answered in a sequel, saying “If we’re lucky, there’ll be a second part. It does leave you with some nice open questions.”[22][87] Asked if a sequel would be a direct prequel to Alien, Lindelof said “if we’re fortunate enough to do a sequel… it will tangentialize [sic] even further away from the original Alien.”[18] In June 2012, Lindelof stated that while plot elements were deliberately left unresolved so that they could be answered in a sequel, he and Scott thoroughly discussed what should be resolved so that Prometheus could stand alone, as a sequel was not guaranteed.[203] Further detailing his sequel concept, Scott stated that it would follow Shaw to her next destination, “because if it is paradise, paradise can not be what you think it is. Paradise has a connotation of being extremely sinister and ominous.” Lindelof cast doubt on his participation stating “if [Scott] wants me to be involved in something, that would be hard to say no to. At the same time, I do feel like [Prometheus] might benefit from a fresh voice or a fresh take or a fresh thought.”[204]

See also

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Journals
  • Hewitt, Chris (May 2012). “Why Are We Here?”. Empire (Bauer Media Group).
  • Leyland, Matthew (June 2012). “Origin of the Species”. Total Film (Future plc) (193).
  • Free, Erin; Mottram, James; Pringle, Gill (April 2012). “Inner Space”. Filmink (906).
  • Nashawaty, Chris (December 2, 2011). “Ridley Scott Returns to Space”. Entertainment Weekly (Time Inc.) (1183).
  • McCabe, Joseph; Farley, Jordan; Edwards, Richard (May 2012). “Gods and Monsters / A Shaw Thing / He, Robot”. SFX (Future plc) (222).
  • Nashawaty, Chris (May 18, 2012). “Birth of a New Alien”. Entertainment Weekly (Time Inc.) (1207).

External links

Under ,MK ULTRA Illuminati Mind Control One Mans Story!

I’m a reluctant government training program, I’m the latest in the MKultra research, I have been repeatedly and will be questioned about my actions and any future actions ( those are either mine or sometimes they can be orders to carry out), I also have implants in my head.

I would say I’m the guy that’s testing these implants out.

If I go anywhere there are at least 25 people in the immediate area, with I’m guessing around 10-15 on standby somewhere near.

 

 

So if you want to meet you’ll be on camera. Here is the funny 90% of the folks are from a company that hires secret shoppers.

 

 

What really sucks is when you know who they are, every time I tell some one what the uniform is or what the hand signals are, they change while the person is there, and since that person gets tailed until some is satisfied that person is of no threat, it all goes back to normal; as a bonus the number of actual trained agents goes up around me.

 

 

If your not scared of the government and you have Friends that can help, I can offer various solutions I have come up with, all are legal.

 

 

The end result is they’ll pay anything not have this hit the press with proof.

 

 

To get to where I am now, they had to kill my mom  as well as 1 another guys dad, take my kids away, and destroy my career.

 

 

there is a few folks that just disappeared but they may have just switched employers since they have skills that the government could use. I figure I can get $500 million, of which I’ll go halfers with the help. plus I’m hoping to take some funding out of there budget and slow them down a bit.

 

 

My name is Mark Shafirovitch, my cell is 416-660-9582

 

 

I know the help I need to get, but its been made out of my reach.

 

 

If you choose to help you’ll be walking into a hornets nest, in the past I had folks say they will help, only to hear them say a few days later there is nothing they can do for me; some of those used to be my friends, most of my friends that said they’ll help ended up coming back in a few days saying they cant do nothing and please leave them alone.

 

 

At 1 point I thought of going to various embassies for help, the only one they were worried about was the Israeli one.

 

 

I wrote this before I was told about the MKUltra projects, Please read it and I hope you can help.

 

 

I wrote this about 1 ½ months ago.

 

 

The things that I didn’t include because I didn’t see the relevance, but there are lots of times I will be knocked out when I’m at home, I was under the impression that they were breaking in while I was asleep and giving instructions; so started recording the the experience; I stopped since all I would get is me saying: yes, ok or gotcha. So I thought it just me waking up, a few times I walked into the kitchen to find myself being video taped right after the device was turned on; what’s funny is I wasn’t that hungry but I needed a snack.

 

 

 

 

 

I gave this to various embassies, what’s funny is they only cared when I showed up to the Israeli one, the rest they weren’t that worried about.

 

 

 

 

 

 

 

 

 

 

 

I have a proposition that will mutually help.

 

 

I don’t know, if I was created by the Canadian government, directly but the fact that, no one in the government wants to help, brings me to you.

 

 

I can offer you, state of the art human implant technology and I get you to get it out of my head.

 

 

Now I know how this sounds and I prove everything I’m telling you. So please, don’t put this document down as some kind of joke.

 

 

Why I got chosen for this project, I don’t exactly know, all I can tell you is what is going on and what has happened in the last 2 1/2 -3yrs.

 

 

My name, is Mark Shafirovitch and I’m a or was a handyman with electrical experience, my life took a turn for the worse on a day in March of 2008. I was involved in family court case that started in Dec /07, I saw a document that showed that child welfare clearly lied to start the proceedings, but my lawyer said it’s irrelevant that they lied on court documents. I decided that if my lawyer doesn’t do something, I’ll take care of it in court in front of the judge that will say my lawyer made a huge mistake and I have a wonderful civil suit. About a week later I was called for a job and asked if I don’t mind having the owner’s cousin as my helper, I didn’t like that but I was offered an additional $75/day to have him help me, I agreed. It was a 2 day project to fix and finish a kitchen from a husband who thought he could do it.

 

 

It started ok, and around 9 am the owner went for a coffee run. He brought the coffee at around 930 and left. The helper and me, decided to take a smoke break right after. I have no memory of what happened till about 5:20 pm. I found it odd that I took my fanny pack off, since it has my cell in it and fits nicely under my tool pouch; but I did and at the end of the day, when I put it back on and checked the phone I found what looked like some one took a punch to the flipping section and it only worked for about 3 more time, before I had to replace it. When I think back on that day I felt strange like I wasn’t sure what was going on slightly dazed, and I didn’t yell at anyone for wrecking my phone, later when I would think about that day being weird or strange I’d only think that my phone was broken, the fact I had no memory of working the whole day wasn’t even a thought, till I started looking at the whole picture about 8 months ago.

 

 

From March 08 to about 8 months ago, I was busy alienating all my friends and buried my mother. I didn’t see the fact that all I did with the inheritance was wanted to do was sit on line and play games and down load movies all day, day in and day out ( more on the inheritance later).

 

 

I was never a home body I like my work and was even referred to as a social butterfly (very sociable). The court case was constantly being booked on dates that were double booked except 1 time when the judge said it must proceed next time it was triple booked and a proceeding that normally takes 5-7 months took over 3 yrs and I didn’t mind that’s strange in it self, but at the time I didn’t mind it that much.

 

 

Let’s skip to the court case I sat and listened to the other side making me look like a monster and didn’t say a word and neither did my lawyer. The case was broken into 2 parts of 3 day right after part 1, I decided to change lawyers to a friend of my previous lawyer, and it made sense at the time.

 

 

Quick recap of the case I lost, the lawyer for child welfare is a judge, the 2nd lawyer has her own practice now, as so does my wife’s lawyer, the child welfare worker retired early.

 

 

Lets talk a little about the inheritance, on October 20/2008, my mom passed away, and I came to Toronto the next day, to bury her. The fact that her health took a sudden turn for the worse was a little surprising. For some reason I forgot most of my ID in Calgary, but I had cash and I didn’t see any expensive so I didn’t really care. Till it came time to close all of moms bank accounts, she had a few small ones (all the bank managers said they’ll start the processes but I’ll have to finish it in Calgary with ID) and the 1 for over 80k, the bank manager gave me after a 30 min conversation, she never asked for my ID just said make the cheque payable to me and that’s it. At the time I thought of it as I pulled of an amazing feet, we just talked nothing special. The rest of the money was to be collected by the lawyer I hired to take care of her estate, on a simple estate that should take a few months, he kept telling me that the courts in Toronto are busy and that’s why it took close to 2yrs.

 

 

When I got back to Calgary just after Halloween, I had what was supposed to be the family court date, but the lawyer for child welfare his father died and it got put off (and put off, and off…….).

 

 

For some reason I kept screwing up at work, it started before I went to bury my mom to much worse after the fact. To the point that no one wanted to hire me (I had 4 people that always gave me work if I asked them), what’s really strange is, I was ok with it. I always got work, because I paid attention to detail and all of a sudden I didn’t care, what’s strange, is it made sense.

 

 

By November 2009, I noticed everyone one my friends list in my emails is complaining they are having problems and by than I heard what sounded like some one breathing when I put my head phones on. I called my computer wizard (Vern Berrard) over and told him what I noticed and heard; it took him about 4-5 hours to go through my computer and he found a program in my buffer that basically was hijacking my whole computer. He removed it and gave me some software that would passively monitor my computer. The next day when I was on line I was playing bridge and I got a partner that obviously didn’t know a thing about the game but he had an advanced rating, I told the folks I got people trying to hijack my computer but my friend, can clean their virus to which this (bad bridge player) said “we’ll see about that.”. Now the next day I had some problems and I called my computer guy, he wouldn’t pick up the phone, it’s like he disappeared, no one saw him after that.

 

 

Now let’s move to February 2010, I started to see things are going in a strange direction, and I’m in the middle of it. By now I ruined all my friendships in Calgary, and decided that if I find my high school friends in Toronto, I’ll get to the bottom of this. At this point I’m noticing that at times I’ll be falling asleep almost uncontrollably in public places for a period of always 10-15 minutes but the strange part is when I wake up it feels like I’m slowing into the present time, the closest I can explain this is either like in various science fiction movies of coming out of warp, or once when I was a kid I woke up from a dream where I’m flying and my body was growing and I felt my body is coming to a stop. I didn’t know what was happening but I wouldn’t actually follow through on things I wanted to do to get to the bottom of if. I remember a few times I stepped out the front door of the house and my chest started to shake so bad I stepped back inside, when I felt better, I remember that I just sat on the computer in the basement just thinking of what I plan to do once I leave the house but I didn’t leave to actually do it, till the following Monday; by than it would go all wrong. I have noticed I’m uncontrollably putting things of till Monday a lot since than.

 

 

(As far as what I felt like goes the progression of it is as follows:

 

 

1st the slowing down as I described, than it turned into my right would tear or run uncontrollably for a minute, than that turned into my eyes would be so dry I couldn’t stop rubbing them, than my right would run and I would be very hungry, than it got to I didn’t pass out but my eye would still run all that would happen just before is I would take a deep breath. In all cases 10-15 minutes would pass. Lately its 4-6 minutes that passes but no running of the eyes, still hungry. Another sign was they always left a woman behind to see if I’d notice what happened.)

 

 

So in February of this year I decided to come to Toronto, I got to the airport about 45 minutes before my flight, I remember a security guard coming to talk to me, he talked to me for maybe a minute but after he left I had 10 minutes to make it to the flight, I thought I finally got this on tape, but I needed to make my flight and thought I could take care of this from Toronto, I was given a number to call on Monday, since it was the weekend and as far as that whole incident goes that’s as far as it went.

 

 

For some reason that made sense at the time I was going to move into a homeless shelter and start looking for folks to help me, this went all wrong when I did find folks that knew me, I would sound like a fool on the phone and they wouldn’t want to even meet me (this is when I started noticing the Monday thing, I also started noticing folks going out of there way to follow me.).

 

 

In the first few months, hers some of the stuff I saw that spooked me.

 

 

 

 

 

 

 

 

 

 

 

A person gets out of a cab and walks back 2 blocks (we saw it once maybe twice in our lives) I saw different people do this 2 or 3 times a day.

 

 

I sat down on the curb of a side street on a dead side street downtown at 3 am on a Wednesday, and started playing my I-pod touch, to see : a different person, a couple, or a car go by me every 45 seconds to minute, till I got sick of it after a half hour and left.

 

 

I was in a church stairwell, and went upstairs when everyone was told to go down, to hear 2 different people say have you found him yet, are you sure he’s not in the washroom.

 

 

The subway has to stop service and asks everyone to take emergency shuttles provided upstairs, saying this train will be going back, would expect over half the car to still be sitting and not moving?, the driver thought it was strange to so he even made the announcement when he got to the other end to drive the train in the other direction

 

 

I found a place that has cameras in the eating area (and the rest of the building) and told one of the staff “you’ll see folks hanging around aimlessly, till I leave.” for 4 days he kept asking me “who am I, what’s going on, what does this all mean?” I asked him to call the police and show it to them; hers where the story changes to its perfectly legal to follow some one, this is part of a bigger picture and the police want to look at it they will be more than happy to do so. So off I go to the police (on Monday), and when they asked me why, the truth was the wrong answer.

 

 

A few weeks later the G20 was here, at this time I had it in my head that if I found a left wing group they could help, by now I wrote a leaflet and made 20 copies of it, in it I wrote I wanted to torture and extort 3 lawyers and a judge (let me say that’s not true, but it made sense at the time).

 

 

On the 1st day of G20 I didn’t give 1 leaflet out, but I met a person and we went for a coffee, he said he knew Jack Layton and said I was screwed over by the government, we talked for a wile and than it happened this is were it was funny I gave this guy my cell # on a piece of paper and he asked for it again, plus he was amazed that I didn’t work for the government.

 

 

Now on day 2 of the G20 I walked right by the police headquarters with a back pack that had a black goody, sweat pants and the 18 copies of the leaflet (before that I was about 2 blocks away walking in the opposite direction of police HQ, and I was surrounded by 4 people on of which started counting backwards from 5 and said to the fellow in front of me he lost some kind of game. That spooked me a little and I turned around and started walking in the opposite direction. Straight to police HQ). I was arrested but here’s where it gets interesting after about 30 hrs I get released and no charges are laid, I had 2 copies of the leaflet in another backpack that wasn’t with me. I thought I finally have something to show the cops. Well the leaflet changed to I’m very mad at 3 lawyers and a judge, in fact it doesn’t even sound like something I would right. As a tid bit I was the only person that got a car ride back from the holding facility to downtown by a couple that showed up, to help the people that congregated across the street with food and water, just 1 hour before they released me.

 

 

Let’s just say the police didn’t want to investigate the changing of the leaflets, or the rest of my story.

 

 

The 1st x-ray story- I thought maybe an x-ray may show something, so I went to old doctor and she agreed to have my head x-rayed and for them to show me the x-rays right after, the doctor was still in the same building but the x-ray lab moved from the basement to the 1st floor, they were more than happy to take my Alberta health card and after a brief conversation with the receptionist I found out that, its her 1st day at this location and after a little talk with technician turns out its his 2nd day there, I asked both were the public washroom was knowing full well its in the basement, neither knew the answer, and were nice enough to answer my question of “ just how new are you here?”. When the technician brought out the x-rays I saw a skull with a mouth full of teeth, I’m missing 2 in the back. I remember I grab the technician and said these aren’t my x-rays, only to end up in the next moment sitting on the bus headed back downtown, with a splitting headache and desire to go to the x-ray shop.

 

 

2nd story- about two months have past and I thought I’d try it again this time I’ll have staples stuck in my teeth (a number picked by a the bus driver), but as I found out my AB health card wasn’t excepted and I needed OHIP, the place I was staying at has a lady come every Thursday and I was told she would set me up with a number right away. The lady didn’t fill the form out right ( she has been doing this for 8 months) so I had to go back and fix the mistake, by the time I took care of it was 4:15 and I figured I’d do it the next day. Now it’s Saturday of a long weekend and I found just 1 place that’s open. When I show up the receptionist is writing everything out buy hand, so I make a joke what your computer can’t do this? She tells me they were broken into the night before, this is funny on so many levels; 1 they are located in the basement of building, on the main floor is a pharmacy (if I was a thief I’d go for the drugs not $35 that they took from the x-ray place.) and than I asked did your Internet and computer go down about 45 min ago? She asked how I knew that and I said that’s when I started making my way there. She also told me in the 8 or 9 yrs they were in business this never happened. I asked the technician if the x-ray machine which is hooked up to the net was working like it normally should and he said mine were coming out a bit slower than normal, when I asked can you please do this with the machine being hooked up to the net I got a polite yet firm NO

 

 

I remember a time when I first got to Toronto, everybody was giving me headphones that are 2 separate pieces, not the wrap around kind that I like more, and recently I figured out why. Apparently if I wear them with out my baseball cap my head gets a dent of about 1 cm across the top. I can only speculate but it never comes up good as why this happens. It takes about 10 minutes to get a full indent and 30-35 minutes to come back to normal.

 

 

I saw the device that controls my head or at least 1 of them; they have it disguised as a cell phone. But I just can’t get up to actually do something about.

 

 

If you want to see, what it’s like you can check out my 3 emails, but you’ll need to use a computer that can be compromised, same can said for my chess or bridge.

 

 

(This section is deleted for this email)

 

 

 

 

 

 

 

 

 

 

 

If you want to see the tail job I live at 311 Niska Rd

 

 

M3N-2S2

 

 

My cell that has a tail job on it as well is 416-660-9582

 

 

What will you see if you counter surveillance me.

 

 

When the people come on scene they must identify themselves, by touching the upper lip

 

 

group leaders adjust their tuke, to say listen to my signals

 

 

touching their mouth is telling some one to leave or exit, touching the teeth is that person will leave or exit.

 

 

On the bus, the backseat both sides and in the middle, as well as the seats just in front of the doors. If the bus is half full who ever is standing.

 

 

On the subway, by the doors and again if the car is half full who ever is standing.

 

 

When I leave the house, I always walk to Jane n Finch, to catch the bus. I always catch the 2nd bus that comes. What you’ll see there or any bus stop is 1st they’ll put 1 person inside the shelter, than start surrounding the shelter (the shelter can have room for 4-5 more people and yet there’s folks standing out side when it’s raining or snowing).

 

 

What I have figured out about the implants, it can make me : yawn, go to sleep, wake up or stay awake, put me into hypnotic state where I’ll listen to anything I guess ( I can be standing up or sitting down, but not walking forward) it has a homing device. The top of my head dents too easy from the pressure of headphones. They can make my front lobes tingle, or just the left 1.

 

 

As far folks that would talk if under the right conditions, are nobodies same as me, if you thought  so security isn’t an issue ; till some one tries to actually do something and since I always get “ give me a few days “ thats when these folks come to visit the any potiential help and tell them to back away.

 

 

I just want my life back.

 

 

Who ever this is, that did it to me will make there presence known to you, the moment you lift a finger to help.

 

 

Those that can’t be persuaded to stop helping, will be offered a drink.

 

 

 

 

 

 

 

 

NOW the 1st story is from the washinton post, I have other websites as well

 

 

 

 

 

 

 

 

“An academic paper written for the Air Force in the mid-1990s mentions the idea of a weapon that would use sound waves to send words into a person’s head. “The signal can be a ‘message from God’ that can warn the enemy of impending doom, or encourage the enemy to surrender.” In 2002, the Air Force Research Laboratory patented precisely such a technology: using microwaves to send words into someone’s head. The patent was based on human experimentation in October 1994 at the Air Force lab, where scientists were able to transmit phrases into the heads of human subjects.”

 

 

— Washington Post article on electronic harassment and voices in the head, 1/14/07

 

 

Dear friends,

 

 

It’s quite fascinating how many people immediately discount anyone who talks about mind control. Government mind control programs have been reported in many major media articles and have been the subject of intense Congressional investigations which revealed widespread abuses. Below is yet another major media article on this key topic, this one revealing that some people who hear voices in their heads may actually be the subject of electronic harassment. As these articles and thousands of pages of declassified government documents make clear, mind control has been secretly studied for many decades.

 

 

If you are unaware of this important field of study, there are many reliable, verifiable resources which give much more information than the article below. For informative major media news articles on electronic harassment weapons, click here. For a brief, excellent summary of these weapons, click here. For a concise two-page summary of government mind control programs based on 18,000 pages of released government documents, click here.

 

 

Though this information may be disturbing, we feel it is better to be informed than to close our eyes. By spreading this information to our political and media representatives and to our colleagues and friends, we can bring this vital information to light and build a brighter future for us all. And for lots more excellent information on this topic, see the “What you can do” box at the end of this article.

 

 

 

 

 

With best wishes,

 

 

Fred Burks for PEERS and the WantToKnow.info Team

 

 

Former language interpreter for Presidents Bush and Clinton

 

 

http://www.washingtonpost.com/wp-dyn/content/article/2007/01/10/AR2007011001399.html

 

 

Cover Story

“I’m a reluctant government training program, I’m the latest in the MKultra research” Mark Shafirovitch Part 2

by Daniel J Leach on Friday, March 11, 2011 at 1:12pm ·

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Mind Games

 

 

 

 

 

New on the Internet: a community of people who believe the government is beaming voices into their minds. They may be crazy, but the Pentagon has pursued a weapon that can do just that.

 

 

 

 

 

By Sharon Weinberger

 

 

Sunday, January 14, 2007; Page W22

 

 

If Harlan Girard is crazy, he doesn’t act the part. He is standing just where he said he would be, below the Philadelphia train station’s World War II memorial — a soaring statue of a winged angel embracing a fallen combatant, as if lifting him to heaven. Girard is wearing pressed khaki pants, expensive-looking leather loafers and a crisp blue button-down. He looks like a local businessman dressed for a casual Friday — a local businessman with a wickedly dark sense of humor, which had become apparent when he said to look for him beneath “the angel sodomizing a dead soldier.” At 70, he appears robust and healthy — not the slightest bit disheveled or unusual-looking. He is also carrying a bag.

 

 

Girard’s description of himself is matter-of-fact, until he explains what’s in the bag: documents he believes prove that the government is attempting to control his mind. He carries that black, weathered bag everywhere he goes. “Every time I go out, I’m prepared to come home and find everything is stolen,” he says.

 

 

The bag aside, Girard appears intelligent and coherent. At a table in front of Dunkin’ Donuts inside the train station, Girard opens the bag and pulls out a thick stack of documents, carefully labeled and sorted with yellow sticky notes bearing neat block print. The documents are an authentic-looking mix of news stories, articles culled from military journals and even some declassified national security documents that do seem to show that the U.S. government has attempted to develop weapons that send voices into people’s heads.

 

 

“It’s undeniable that the technology exists,” Girard says, “but if you go to the police and say, ‘I’m hearing voices,’ they’re going to lock you up for psychiatric evaluation.”

 

 

The thing that’s missing from his bag — the lack of which makes it hard to prove he isn’t crazy — is even a single document that would buttress the implausible notion that the government is currently targeting a large group of American citizens with mind-control technology. The only direct evidence for that, Girard admits, lies with alleged victims such as himself.

 

 

And of those, there are many.

 

 

It’s 9:01 P.M. when the first person speaks during the Saturday conference call.

 

 

Unsure whether anyone else is on the line yet, the female caller throws out the first question: “You got gang stalking or V2K?” she asks no one in particular.

 

 

There’s a short, uncomfortable pause.

 

 

“V2K, really bad. 24-7,” a man replies.

 

 

“Gang stalking,” another woman says.

 

 

“Oh, yeah, join the club,” yet another man replies.

 

 

The members of this confessional “club” are not your usual victims. This isn’t a group for alcoholics, drug addicts or survivors of childhood abuse; the people connecting on the call are self-described victims of mind control — people who believe they have been targeted by a secret government program that tracks them around the clock, using technology to probe and control their minds.

 

 

The callers frequently refer to themselves as TIs, which is short for Targeted Individuals, and talk about V2K — the official military abbreviation stands for “voice to skull” and denotes weapons that beam voices or sounds into the head. In their esoteric lexicon, “gang stalking” refers to the belief that they are being followed and harassed: by neighbors, strangers or colleagues who are agents for the government.

 

 

A few more “hellos” are exchanged, interrupted by beeps signaling late arrivals: Bill from Columbus, Barbara from Philadelphia, Jim from California and a dozen or so others.

 

 

Derrick Robinson, the conference call moderator, calls order.

 

 

“It’s five after 9,” says Robinson, with the sweetly reasonable intonation of a late-night radio host. “Maybe we should go ahead and start.”

 

 

The idea of a group of people convinced they are targeted by weapons that can invade their minds has become a cultural joke, shorthanded by the image of solitary lunatics wearing tinfoil hats to deflect invisible mind beams. “Tinfoil hat,” says Wikipedia, has become “a popular stereotype and term of derision; the phrase serves as a byword for paranoia and is associated with conspiracy theorists.”

 

 

In 2005, a group of MIT students conducted a formal study using aluminum foil and radio signals. Their surprising finding: Tinfoil hats may actually amplify radio frequency signals. Of course, the tech students meant the study as a joke.

 

 

But during the Saturday conference call, the subject of aluminum foil is deadly serious. The MIT study had prompted renewed debate; while a few TIs realized it was a joke at their expense, some saw the findings as an explanation for why tinfoil didn’t seem to stop the voices. Others vouched for the material.

 

 

“Tinfoil helps tremendously,” reports one conference call participant, who describes wrapping it around her body underneath her clothing.

 

 

“Where do you put the tinfoil?” a man asks.

 

 

“Anywhere, everywhere,” she replies. “I even put it in a hat.”

 

 

A TI in an online mind-control forum recommends a Web site called “Block EMF” (as in electromagnetic frequencies), which advertises a full line of clothing, including aluminum-lined boxer shorts described as a “sheer, comfortable undergarment you can wear over your regular one to shield yourself from power lines and computer electric fields, and microwave, radar, and TV radiation.” Similarly, a tinfoil hat disguised as a regular baseball cap is “smart and subtle.”

 

 

For all the scorn, the ranks of victims — or people who believe they are victims — are speaking up. In the course of the evening, there are as many as 40 clicks from people joining the call, and much larger numbers participate in the online forum, which has 143 members. A note there mentioning interest from a journalist prompted more than 200 e-mail responses.

 

 

Until recently, people who believe the government is beaming voices into their heads would have added social isolation to their catalogue of woes. But now, many have discovered hundreds, possibly thousands, of others just like them all over the world. Web sites dedicated to electronic harassment and gang stalking have popped up in India, China, Japan, South Korea, the United Kingdom, Russia and elsewhere. Victims have begun to host support meetings in major cities, including Washington. Favorite topics at the meetings include lessons on how to build shields (the proverbial tinfoil hats), media and PR training, and possible legal strategies for outlawing mind control.

 

 

The biggest hurdle for TIs is getting people to take their concerns seriously. A proposal made in 2001 by Rep. Dennis Kucinich (D-Ohio) to ban “psychotronic weapons” (another common term for mind-control technology) was hailed by TIs as a great step forward. But the bill was widely derided by bloggers and columnists and quickly dropped.

 

 

Doug Gordon, Kucinich’s spokesman, would not discuss mind control other than to say the proposal was part of broader legislation outlawing weapons in space. The bill was later reintroduced, minus the mind control. “It was not the concentration of the legislation, which is why it was tightened up and redrafted,” was all Gordon would say.

 

 

Unable to garner much support from their elected representatives, TIs have started their own PR campaign. And so, last spring, the Saturday conference calls centered on plans to hold a rally in Washington. A 2005 attempt at a rally drew a few dozen people and was ultimately rained out; the TIs were determined to make another go of it. Conversations focused around designing T-shirts, setting up congressional appointments, fundraising, creating a new Web site and formalizing a slogan. After some debate over whether to focus on gang stalking or mind control, the group came up with a compromise slogan that covered both: “Freedom From Covert Surveillance and Electronic Harassment.”

 

 

Conference call moderator Robinson, who says his gang stalking began when he worked at the National Security Agency in the 1980s, offers his assessment of the group’s prospects: Maybe this rally wouldn’t produce much press, but it’s a first step. “I see this as a movement,” he says. “We’re picking up people all the time.”

 

 

Harlan Girard says his problems began in 1983, while he was a real estate developer in Los Angeles. The harassment was subtle at first: One day a woman pulled up in a car, wagged her finger at him, then sped away; he saw people running underneath his window at night; he noticed some of his neighbors seemed to be watching him; he heard someone moving in the crawl space under his apartment at night.

 

 

Girard sought advice from this then-girlfriend, a practicing psychologist, whom he declines to identify. He says she told him, “Nobody can become psychotic in their late 40s.” She said he didn’t seem to manifest other symptoms of psychotic behavior — he dressed well, paid his bills — and, besides his claims of surveillance, which sounded paranoid, he behaved normally. “People who are psychotic are socially isolated,” he recalls her saying.

 

 

After a few months, Girard says, the harassment abruptly stopped. But the respite didn’t last. In 1984, appropriately enough, things got seriously weird. He’d left his real estate career to return to school at the University of Pennsylvania, where he was studying for a master’s degree in landscape architecture. He harbored dreams of designing parks and public spaces. Then, he says, he began to hear voices. Girard could distinguish several different male voices, which came complete with a mental image of how the voices were being generated: from a recording studio, with “four slops sitting around a card table drinking beer,” he says.

 

 

The voices were crass but also strangely courteous, addressing him as “Mr. Girard.”

 

 

They taunted him. They asked him if he thought he was normal; they suggested he was going crazy. They insulted his classmates: When an overweight student showed up for a field trip in a white raincoat, they said, “Hey, Mr. Girard, doesn’t she look like a refrigerator?”

 

 

Six months after the voices began, they had another question for him: “Mr. Girard, Mr. Girard. Why aren’t you dead yet?” At first, he recalls, the voices would speak just two or three times a day, but it escalated into a near-constant cacophony, often accompanied by severe pain all over his body — which Girard now attributes to directed-energy weapons that can shoot invisible beams.

 

 

The voices even suggested how he could figure out what was happening to him. He says they told him to go to the electrical engineering department to “tell them you’re writing science fiction and you don’t want to write anything inconsistent with physical reality. Then tell them exactly what has happened.”

 

 

Girard went and got some rudimentary explanations of how technology could explain some of the things he was describing.

 

 

“Finally, I said: ‘Look, I must come to the point, because I need answers. This is happening to me; it’s not science fiction.'” They laughed.

 

 

He got the same response from friends, he says. “They regarded me as crazy, which is a humiliating experience.”

 

 

When asked why he didn’t consult a doctor about the voices and the pain, he says, “I don’t dare start talking to people because of the potential stigma of it all. I don’t want to be treated differently. Here I was in Philadelphia. Something was going on, I don’t know any doctors . . . I know somebody’s doing something to me.”

 

 

It was a struggle to graduate, he says, but he was determined, and he persevered. In 1988, the same year he finished his degree, his father died, leaving Girard an inheritance large enough that he did not have to work.

 

 

So, instead of becoming a landscape architect, Girard began a full-time investigation of what was happening to him, often traveling to Washington in pursuit of government documents relating to mind control. He put an ad in a magazine seeking other victims. Only a few people responded. But over the years, as he met more and more people like himself, he grew convinced that he was part of what he calls an “electronic concentration camp.”

 

 

What he was finding on his research trips also buttressed his belief: Girard learned that in the 1950s, the CIA had drugged unwitting victims with LSD as part of a rogue mind-control experiment called MK-ULTRA. He came across references to the CIA seeking to influence the mind with electromagnetic fields. Then he found references in an academic research book to work that military researchers at Walter Reed Army Institute of Research had done in the 1970s with pulsed microwaves to transmit words that a subject would hear in his head. Elsewhere, he came across references to attempts to use electromagnetic energy, sound waves or microwave beams to cause non-lethal pain to the body. For every symptom he experienced, he believed he found references to a weapon that could cause it.

 

 

How much of the research Girard cites checks out?

 

 

Concerns about microwaves and mind control date to the 1960s, when the U.S. government discovered that its embassy in Moscow was being bombarded by low-level electromagnetic radiation. In 1965, according to declassified Defense Department documents, the Pentagon, at the behest of the White House, launched Project Pandora, top-secret research to explore the behavioral and biological effects of low-level microwaves. For approximately four years, the Pentagon conducted secret research: zapping monkeys; exposing unwitting sailors to microwave radiation; and conducting a host of other unusual experiments (a sub-project of Project Pandora was titled Project Bizarre). The results were mixed, and the program was plagued by disagreements and scientific squabbles. The “Moscow signal,” as it was called, was eventually attributed to eavesdropping, not mind control, and Pandora ended in 1970. And with it, the military’s research into so-called non-thermal microwave effects seemed to die out, at least in the unclassified realm.

 

 

But there are hints of ongoing research: An academic paper written for the Air Force in the mid-1990s mentions the idea of a weapon that would use sound waves to send words into a person’s head. “The signal can be a ‘message from God’ that can warn the enemy of impending doom, or encourage the enemy to surrender,” the author concluded.

 

 

In 2002, the Air Force Research Laboratory patented precisely such a technology: using microwaves to send words into someone’s head. That work is frequently cited on mind-control Web sites. Rich Garcia, a spokesman for the research laboratory’s directed energy directorate, declined to discuss that patent or current or related research in the field, citing the lab’s policy not to comment on its microwave work.

 

 

In response to a Freedom of Information Act request filed for this article, the Air Force released unclassified documents surrounding that 2002 patent — records that note that the patent was based on human experimentation in October 1994 at the Air Force lab, where scientists were able to transmit phrases into the heads of human subjects, albeit with marginal intelligibility. Research appeared to continue at least through 2002. Where this work has gone since is unclear — the research laboratory, citing classification, refused to discuss it or release other materials.

 

 

The official U.S. Air Force position is that there are no non-thermal effects of microwaves. Yet Dennis Bushnell, chief scientist at NASA’s Langley Research Center, tagged microwave attacks against the human brain as part of future warfare in a 2001 presentation to the National Defense Industrial Association about “Future Strategic Issues.”

 

 

“That work is exceedingly sensitive” and unlikely to be reported in any unclassified documents, he says.

 

 

Meanwhile, the military’s use of weapons that employ electromagnetic radiation to create pain is well-known, as are some of the limitations of such weapons. In 2001, the Pentagon declassified one element of this research: the Active Denial System, a weapon that uses electromagnetic radiation to heat skin and create an intense burning sensation. So, yes, there is technology designed to beam painful invisible rays at humans, but the weapon seems to fall far short of what could account for many of the TIs’ symptoms. While its exact range is classified, Doug Beason, an expert in directed-energy weapons, puts it at about 700 meters, and the beam cannot penetrate a number of materials, such as aluminum. Considering the size of the full-scale weapon, which resembles a satellite dish, and its operational limitations, the ability of the government or anyone else to shoot beams at hundreds of people — on city streets, into their homes and while they travel in cars and planes — is beyond improbable.

 

 

But, given the history of America’s clandestine research, it’s reasonable to assume that if the defense establishment could develop mind-control or long-distance ray weapons, it almost certainly would. And, once developed, the possibility that they might be tested on innocent civilians could not be categorically dismissed.

 

 

Girard, for his part, believes these weapons were not only developed but were also tested on him more than 20 years ago.

 

 

What would the government gain by torturing him? Again, Girard found what he believed to be an explanation, or at least a precedent: During the Cold War, the government conducted radiation experiments on scores of unwitting victims, essentially using them as human guinea pigs. Girard came to believe that he, too, was a walking experiment.

 

 

Not that Girard thinks his selection was totally random: He believes he was targeted because of a disparaging remark he made to a Republican fundraiser about George H.W. Bush in the early 1980s. Later, Girard says, the voices confirmed his suspicion.

 

 

“One night I was going to bed; the usual drivel was going on,” he says. “The constant stream of drivel. I was just about to go to bed, and a voice says: ‘Mr. Girard, do you know who was in our studio with us? That was George Bush, vice president of the United States.'”

 

 

Girard’s story, however strange, reflects what TIs around the world report: a chance encounter with a government agency or official, followed by surveillance and gang stalking, and then, in many cases, voices, and pain similar to electric shocks. Some in the community have taken it upon themselves to document as many cases as possible. One TI from California conducted about 50 interviews, narrowing the symptoms down to several major areas: “ringing in the ears,” “manipulation of body parts,” “hearing voices,” “piercing sensation on skin,” “sinus problems” and “sexual attacks.” In fact, the TI continued, “many report the sensation of having their genitalia manipulated.”

 

 

Both male and female TIs report a variety of “attacks” to their sexual organs. “My testicles became so sore I could barely walk,” Girard says of his early experiences. Others, however, report the attacks in the form of sexual stimulation, including one TI who claims he dropped out of the seminary after constant sexual stimulation by directed-energy weapons. Susan Sayler, a TI in San Diego, says many women among the TIs suffer from attacks to their sexual organs but are often embarrassed to talk about it with outsiders.

 

 

“It’s sporadic, you just never know when it will happen,” she says. “A lot of the women say it’s as soon as you lay down in bed — that’s when you would get hit the worst. It happened to me as I was driving, at odd times.”

 

 

What made her think it was an electronic attack and not just in her head? “There was no sexual attraction to a man when it would happen. That’s what was wrong. It did not feel like a muscle spasm or whatever,” she says. “It’s so . . . electronic.”

 

 

Gloria Naylor, a renowned African American writer, seems to defy many of the stereotypes of someone who believes in mind control. A winner of the National Book Award, Naylor is best known for her acclaimed novel, The Women of Brewster Place, which described a group of women living in a poor urban neighborhood and was later made into a miniseries by Oprah Winfrey.

 

 

But in 2005, she published a lesser-known work, 1996, a semi-autobiographical book describing her experience as a TI. “I didn’t want to tell this story. It’s going to take courage. Perhaps more courage than I possess, but they’ve left me no alternatives,” Naylor writes at the beginning of her book. “I am in a battle for my mind. If I stop now, they’ll have won, and I will lose myself.” The book is coherent, if hard to believe. It’s also marked by disturbing passages describing how Jewish American agents were responsible for Naylor’s surveillance. “Of the many cars that kept coming and going down my road, most were driven by Jews,” she writes in the book. When asked about that passage in a recent interview, she defended her logic: Being from New York, she claimed, she can recognize Jews.

 

 

Naylor lives on a quiet street in Brooklyn in a majestic brownstone with an interior featuring intricate woodwork and tasteful decorations that attest to a successful literary career. She speaks about her situation calmly, occasionally laughing at her own predicament and her struggle with what she originally thought was mental illness. “I would observe myself,” she explains. “I would lie in bed while the conversations were going on, and I’d ask: Maybe it is schizophrenia?”

 

 

Like Girard, Naylor describes what she calls “street theater” — incidents that might be dismissed by others as coincidental, but which Naylor believes were set up. She noticed suspicious cars driving by her isolated vacation home. On an airplane, fellow passengers mimicked her every movement — like mimes on a street.

 

 

Voices similar to those in Girard’s case followed — taunting voices cursing her, telling her she was stupid, that she couldn’t write. Expletive-laced language filled her head. Naylor sought help from a psychiatrist and received a prescription for an antipsychotic drug. But the medication failed to stop the voices, she says, which only added to her conviction that the harassment was real.

 

 

For almost four years, Naylor says, the voices prevented her from writing. In 2000, she says, around the time she discovered the mind-control forums, the voices stopped and the surveillance tapered off. It was then that she began writing 1996 as a “catharsis.”

 

 

Colleagues urged Naylor not to publish the book, saying she would destroy her reputation. But she did publish, albeit with a small publishing house. The book was generally ignored by critics but embraced by TIs.

 

 

Naylor is not the first writer to describe such a personal descent. Evelyn Waugh, one of the great novelists of the 20th century, details similar experiences in The Ordeal of Gilbert Pinfold. Waugh’s book, published in 1957, has eerie similarities to Naylor’s.

 

 

Embarking on a recuperative cruise, Pinfold begins to hear voices on the ship that he believes are part of a wireless system capable of broadcasting into his head; he believes the instigator recruited fellow passengers to act as operatives; and he describes “performances” put on by passengers directed at him yet meant to look innocuous to others.

 

 

Waugh wrote his book several years after recovering from a similar episode and realizing that the voices and paranoia were the result of drug-induced hallucinations.

 

 

Naylor … is now back at work on an historical novel she hopes will return her to the literary mainstream. She remains convinced that she was targeted by mind control. The many echoes of her ordeal she sees on the mind-control forums reassure her she’s not crazy, she says.

 

 

Of course, some of the things she sees on the forum do strike her as crazy. “But who I am to say?” she says. “Maybe I sound crazy to somebody else.”

 

 

Some TIs, such as Ed Moore, a young medical doctor, take a slightly more skeptical approach. He criticizes what he calls the “wacky claims” of TIs who blame various government agencies or groups of people without any proof. “I have yet to see a claim of who is behind this that has any data to support it,” he writes.

 

 

Nonetheless, Moore still believes the voices in his head are the result of mind control and that the U.S. government is the most likely culprit. Moore started hearing voices in 2003, just as he completed his medical residency in anesthesiology; he was pulling an all-nighter studying for board exams when he heard voices coming from a nearby house commenting on him, on his abilities as a doctor, on his sanity. At first, he thought he was simply overhearing conversations through walls (much as Waugh’s fictional alter ego first thought), but when no one else could hear the voices, he realized they were in his head. Moore went through a traumatic two years, including hospitalization for depression with auditory hallucinations.

 

 

“One tries to convince friends and family that you are being electronically harassed with voices that only you can hear,” he writes in an e-mail. “You learn to stop doing that. They don’t believe you, and they become sad and concerned, and it amplifies your own depression when you have voices screaming at you and your friends and family looking at you as a helpless, sick, mentally unbalanced wreck.”

 

 

He says he grew frustrated with anti-psychotic medications meant to stop the voices, both because the treatments didn’t work and because psychiatrists showed no interest in what the voices were telling him. He began to look for some other way to cope.

 

 

“In March of 2005, I started looking up support groups on the Internet,” he wrote. “My wife would cry when she would see these sites, knowing I still heard voices, but I did not know what else to do.” In 2006, he says, his wife, who had stood by him for three years, filed for divorce.

 

 

Moore, like other TIs, is cautious about sharing details of his life. He worries about looking foolish to friends and colleagues — but he says that risk is ultimately worthwhile if he can bring attention to the issue.

 

 

With his father’s financial help, Moore is now studying for an electrical engineering degree at the University of Texas at San Antonio, hoping to prove that V2K, the technology to send voices into people’s heads, is real. Being in school, around other people, helps him cope, he writes, but the voices continue to taunt him.

 

 

Recently, he says, they told him: “We’ll never stop [messing] with you.”

 

 

A week before the TIs rally on the National Mall, John Alexander, one of the people whom Harlan Girard holds personally responsible for the voices in his head, is at a Chili’s restaurant in Crystal City explaining over a Philly cheese steak and fries why the United States needs mind-control weapons.

 

 

A former Green Beret who served in Vietnam, Alexander went on to a number of national security jobs, and rubbed shoulders with prominent military and political leaders. Long known for taking an interest in exotic weapons, his 1980 article, “The New Mental Battlefield,” published in the Army journal Military Review, is cited by self-described victims as proof of his complicity in mind control. Now retired from the government and living in Las Vegas, Alexander continues to advise the military. He is in the Washington area that day for an official meeting.

 

 

Beneath a shock of white hair is the mind of a self-styled military thinker. Alexander belongs to a particular set of Pentagon advisers who consider themselves defense intellectuals, focusing on big-picture issues, future threats and new capabilities. Alexander’s career led him from work on sticky foam that would stop an enemy in his or her tracks to dalliances in paranormal studies and psychics, which he still defends as operationally useful.

 

 

In an earlier phone conversation, Alexander said that in the 1990s, when he took part in briefings at the CIA, there was never any talk of “mind control, or mind-altering drugs or technologies, or anything like that.”

 

 

According to Alexander, the military and intelligence agencies were still scared by the excesses of MK-ULTRA, the infamous CIA program that involved, in part, slipping LSD to unsuspecting victims. “Until recently, anything that smacked of [mind control] was extremely dangerous” because Congress would simply take the money away, he said.

 

 

Alexander acknowledged that “there were some abuses that took place,” but added that, on the whole, “I would argue we threw the baby out with the bath water.”

 

 

But September 11, 2001, changed the mood in Washington, and some in the national security community are again expressing interest in mind control, particularly a younger generation of officials who weren’t around for MK-ULTRA. “It’s interesting, that it’s coming back,” Alexander observed.

 

 

While Alexander scoffs at the notion that he is somehow part of an elaborate plot to control people’s minds, he acknowledges support for learning how to tap into a potential enemy’s brain. He gives as an example the possible use of functional magnetic resonance imaging, or fMRI, for lie detection. “Brain mapping” with fMRI theoretically could allow interrogators to know when someone is lying by watching for activity in particular parts of the brain. For interrogating terrorists, fMRI could come in handy, Alexander suggests. But any conceivable use of the technique would fall far short of the kind of mind-reading TIs complain about.

 

 

Alexander also is intrigued by the possibility of using electronic means to modify behavior. The dilemma of the war on terrorism, he notes, is that it never ends. So what do you do with enemies, such as those at Guantanamo: keep them there forever? That’s impractical. Behavior modification could be an alternative, he says.

 

 

“Maybe I can fix you, or electronically neuter you, so it’s safe to release you into society, so you won’t come back and kill me,” Alexander says. It’s only a matter of time before technology allows that scenario to come true, he continues. “We’re now getting to where we can do that.” He pauses for a moment to take a bite of his sandwich. “Where does that fall in the ethics spectrum? That’s a really tough question.”

 

 

When Alexander encounters a query he doesn’t want to answer, such as one about the ethics of mind control, he smiles and raises his hands level to his chest, as if balancing two imaginary weights. In one hand is mind control and the sanctity of free thought — and in the other hand, a tad higher — is the war on terrorism.

 

 

But none of this has anything to do with the TIs, he says. “Just because things are secret, people tend to extrapolate. Common sense does not prevail, and even when you point out huge leaps in logic that just cannot be true, they are not dissuaded.”

 

 

What is it that brings someone, even an intelligent person, to ascribe the experience of hearing disembodied voices to government weapons?

 

 

In her book, Abducted, Harvard psychologist Susan Clancy examines a group that has striking parallels to the TIs: people who believe they’ve been kidnapped by aliens. The similarities are often uncanny: Would-be abductees describe strange pains, and feelings of being watched or targeted. And although the alleged abductees don’t generally have auditory hallucinations, they do sometimes believe that their thoughts are controlled by aliens, or that they’ve been implanted with advanced technology.

 

 

(On the online forum, some TIs posted vociferous objections to the parallel, concerned that the public finds UFOs even weirder than mind control. “It will keep us all marginalized and discredited,” one griped.)

 

 

Clancy argues that the main reason people believe they’ve been abducted by aliens is that it provides them with a compelling narrative to explain their perception that strange things have happened to them, such as marks on their bodies (marks others would simply dismiss as bruises), stimulation to their sexual organs (as the TIs describe) or feelings of paranoia. “It’s not just an explanation for your problems; it’s a source of meaning for your life,” Clancy says.

 

 

In the case of TIs, mind-control weapons are an explanation for the voices they hear in their head. Socrates heard a voice and thought it was a demon; Joan of Arc heard voices from God. As one TI noted in an e-mail: “Each person undergoing this harassment is looking for the solution to the problem. Each person analyzes it through his or her own particular spectrum of beliefs. If you are a scientific-minded person, then you will probably analyze the situation from that perspective and conclude it must be done with some kind of electronic devices. If you are a religious person, you will see it as a struggle between the elements of whatever religion you believe in. If you are maybe, perhaps more eccentric, you may think that it is alien in nature.”

 

 

Or, if you happen to live in the United States in the early 21st century, you may fear the growing power of the NSA, CIA and FBI.

 

 

Being a victim of government surveillance is also, arguably, better than being insane. In Waugh’s novella based on his own painful experience, when Pinfold concludes that hidden technology is being used to infiltrate his brain, he “felt nothing but gratitude in his discovery.” Why? “He might be unpopular; he might be ridiculous; but he was not mad.”

 

 

Ralph Hoffman, a professor of psychiatry at Yale who has studied auditory hallucinations, regularly sees people who believe the voices are a part of government harassment (others believe they are God, dead relatives or even ex-girlfriends). Not all people who hear voices are schizophrenic, he says, noting that people can hear voices episodically in highly emotional states. What exactly causes these voices is still unknown, but one thing is certain: People who think the voices are caused by some external force are rarely dissuaded from their delusional belief, he says. “These are highly emotional and gripping experiences that are so compelling for them that ordinary reality seems bland.”

 

 

Perhaps because the experience is so vivid, he says, even some of those who improve through treatment merely decide the medical regimen somehow helped protect their brain from government weapons.

 

 

Scott Temple, a professor of psychiatry at Penn State University who has been involved in two recent studies of auditory hallucinations, notes that those who suffer such hallucinations frequently lack insight into their illness. Even among those who do understand they are sick, “that awareness comes and goes,” he says. “People feel overwhelmed, and the delusional interpretations return.”

 

 

Back at the Philadelphia train station, Girard seems more agitated. In a meeting the week before, his “handlers” had spoken to him only briefly — they weren’t in the right position to attack him, Girard surmises, based on the lack of voices. Today, his conversation jumps more rapidly from one subject to the next: victims of radiation experiments, his hatred of George H.W. Bush, MK-ULTRA, his personal experiences.

 

 

Asked about his studies at Penn, he replies by talking about his problems with reading: “I told you, everything I write they dictate to me,” he says, referring again to the voices. “When I read, they’re reading to me. My eyes go across; they’re moving my eyes down the line. They’re reading it to me. When I close the book, I can’t remember a thing I read. That’s why they do it.”

 

 

The week before, Girard had pointed to only one person who appeared suspicious to him — a young African American man reading a book; this time, however, he hears more voices, which leads him to believe the station is crawling with agents.

 

 

“Let’s change our location,” Girard says after a while. “I’m sure they have 40 or 50 people in here today. I escaped their surveillance last time — they won’t let that happen again.”

 

 

Asked to explain the connection between mind control and the University of Pennsylvania, which Girard alleges is involved in the conspiracy, he begins to talk about defense contractors located near the Philadelphia campus: “General Electric was right next to the parking garage; General Electric Space Systems occupies a huge building right over there. From that building, you could see into the studio where I was doing my work most of the time. I asked somebody what they were doing there. You know, it had to do with computers. GE Space Systems. They were supposed to be tracking missile debris from this location . . . pardon me. What was your question again?”

 

 

Yet many parts of Girard’s life seem to reflect that of any affluent 70-year-old bachelor. He travels frequently to France for extended vacations and takes part in French cultural activities in Philadelphia. He has set up a travel scholarship at the Cleveland Institute of Art in the name of his late mother, who attended school there (he changed his last name 27 years ago for “personal reasons”), and he travels to meet the students who benefit from the fund. And while the bulk of his time is spent on his research and writing about mind control, he has other interests. He follows politics and describes outings with friends and family members with whom he doesn’t talk about mind control, knowing they would view it skeptically.

 

 

Girard acknowledges that some of his experiences mirror symptoms of schizophrenia, but asked if he ever worried that the voices might in fact be caused by mental illness, he answers sharply with one word: “No.”

 

 

How, then, does he know the voices are real?

 

 

“How do you know you know anything?” Girard replies. “How do you know I exist? How do you know this isn’t a dream you’re having, from which you’ll wake up in a few minutes? I suppose that analogy is the closest thing: You know when you have a dream. Sometimes it could be perfectly lucid, but you know it’s a dream.”

 

 

The very “realness” of the voices is the issue — how do you disbelieve something you perceive as real? That’s precisely what Hoffman, the Yale psychiatrist, points out: So lucid are the voices that the sufferers — regardless of their educational level or self-awareness — are unable to see them as anything but real. “One thing I can assure you,” Hoffman says, “is that for them, it feels real.”

 

 

It looks like almost any other small political rally in Washington. Posters adorn the gate on the southwest side of the Capitol Reflecting Pool, as attendees set up a table with press materials, while volunteers test a loudspeaker and set out coolers filled with bottled water. The sun is out, the weather is perfect, and an eclectic collection of people from across the country has gathered to protest mind control.

 

 

There is not a tinfoil hat to be seen. Only the posters and paraphernalia hint at the unusual. “Stop USA electronic harassment,” urges one poster. “Directed Energy Assaults,” reads another. Smaller signs in the shape of tombstones say, “RIP MKULTRA.” The main display, set in front of the speaker’s lectern has a more extended message: “HELP STOP HI-TECH ASSAULT PSYCHOTRONIC TORTURE.”

 

 

About 35 TIs show up for the June rally, in addition to a few friends and family members. Speakers alternate between giving personal testimonials and descriptions of research into mind-control technology. Most of the gawkers at the rally are foreign tourists. A few hecklers snicker at the signs, but mostly people are either confused or indifferent. The articles on mind control at the table — from mainstream news magazines — go untouched.

 

 

“How can you expect people to get worked up over this if they don’t care about eavesdropping or eminent domain?” one man challenges after stopping to flip through the literature. Mary Ann Stratton, who is manning the table, merely shrugs and smiles sadly. There is no answer: Everyone at the rally acknowledges it is an uphill battle.

 

 

In general, the outlook for TIs is not good; many lose their jobs, houses and family. Depression is common. But for many at the rally, experiencing the community of mind-control victims seems to help. One TI, a man who had been a rescue swimmer in the Coast Guard before voices in his head sent him on a downward spiral, expressed the solace he found among fellow TIs in a long e-mail to another TI: “I think that the only people that can help are people going through the same thing. Everyone else will not believe you, or they are possibly involved.”

 

 

In the end, though, nothing could help him enough. In August 2006, he would commit suicide.

 

 

But at least for the day, the rally is boosting TI spirits. Girard, in what for him is an ebullient mood, takes the microphone. A small crowd of tourists gathers at the sidelines, listening with casual interest. With the Capitol looming behind him, he reaches the crescendo of his speech, rallying the attendees to remember an important thing: They are part of a single community.

 

 

“I’ve heard it said, ‘We can’t get anywhere because everyone’s story is different.’ We are all the same,” Girard booms. “You knew someone with the power to commit you to the electronic concentration camp system.”

 

 

Several weeks after the rally, Girard shows up for a meeting with a reporter at the stately Mayflower Hotel in Washington, where he has stayed frequently over the two decades he has traveled to the capital to battle mind control. He walks in with a lit cigarette, which he apologetically puts out after a hotel employee tells him smoking isn’t allowed anymore. He is half an hour late — delayed, he says, by a meeting on Capitol Hill. Wearing a monogrammed dress shirt and tie, he looks, as always, serious and professional.

 

 

Girard declines to mention whom on Capitol Hill he’d met with, other than to say it was a congressional staffer. Embarrassment is likely a factor: Girard readily acknowledges that most people he meets with, ranging from scholars to politicians, ignore his entreaties or dismiss him as a lunatic.

 

 

Lately, his focus is on his Web site, which he sees as the culmination of nearly a quarter-century of research. When completed, it will contain more than 300 pages of documents. What next? Maybe he’ll move to France (there are victims there, too), or maybe the U.S. government will finally just kill him, he says.

 

 

Meanwhile, he is always searching for absolute proof that the government has decoded the brain. His latest interest is LifeLog, a project once funded by the Pentagon that he read about in Wired News. The article described it this way: “The embryonic LifeLog program would dump everything an individual does into a giant database: every e-mail sent or received, every picture taken, every Web page surfed, every phone call made, every TV show watched, every magazine read. All of this — and more — would combine with information gleaned from a variety of sources: a GPS transmitter to keep tabs on where that person went, audiovisual sensors to capture what he or she sees or says, and biomedical monitors to keep track of the individual’s health.”

 

 

Girard suggests that the government, using similar technology, has “catalogued” his life over the past two years — every sight and sound (Evelyn Waugh, in his mind-control book, writes about his character’s similar fear that his harassers were creating a file of his entire life).

 

 

Girard thinks the government can control his movements, inject thoughts into his head, cause him pain day and night. He believes that he will die a victim of mind control.

 

 

Is there any reason for optimism?

 

 

Girard hesitates, then asks a rhetorical question.

 

 

“Why, despite all this, why am I the same person? Why am I Harlan Girard?”

 

 

For all his anguish, be it the result of mental illness or, as Girard contends, government mind control, the voices haven’t managed to conquer the thing that makes him who he is: Call it his consciousness, his intellect or, perhaps, his soul.

 

 

“That’s what they don’t yet have,” he says. After 22 years, “I’m still me.”

 

 

Sharon Weinberger is a Washington writer and author of Imaginary Weapons: A Journey Through the Pentagon’s Scientific Underworld.

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